Akkoorden - Overzicht: verschil tussen versies
(→G) |
(→E5) |
||
(241 tussenliggende versies door dezelfde gebruiker niet weergegeven) | |||
Regel 1: | Regel 1: | ||
[[file:20140101-0126.png|thumb|Most used chords on ukelele]] | [[file:20140101-0126.png|thumb|Most used chords on ukelele]] | ||
''' Bronnen ''' | ''' Bronnen ''' | ||
* http://jguitar.com/chordsearch | * Gitaar: http://jguitar.com/chordsearch | ||
* http://ukulele-chords.com/ | * Mandoline: https://simplymandolin.com/open-mandolin-chords | ||
* Ukulele: http://ukulele-chords.com | |||
* Piano: https://www.pianochord.org | |||
== A♭ == | == A♭ == | ||
Regel 31: | Regel 23: | ||
== A == | == A == | ||
Noten A major: A, C#, E | |||
{| | {| | ||
|[[File:A.gif|thumb| | |[[File:A.gif|thumb|A-majeur op gitaar zonder barré. Noten A-majeur: A, C#, E. Gespeelde noten: X, A, E, A, C#, E]] | ||
|[[File:A(2).gif|thumb|A: | |[[File:A(2).gif|thumb|Gitaar: A-majeur: E-vorm met barré op 5]] | ||
|[[ | |[[File:A-2020032.png|thumb|Gitaar: A-majeur met E-vorm en twee extra open snaren ]] | ||
|} | |} | ||
{| | {| | ||
|[[ | |[[file:A-majeur-piano.png|thumb|A-major on piano]] | ||
|[[ | |[[file:20140101-0242.png|thumb|A-major on ukulele]] | ||
|} | |||
{| | |||
|[[file:A-majeur-mandoline-00.png|thumb|A-majeur op mandoline]] | |||
|[[file:A-majeur-mandoline-01.png|thumb|A-majeur op mandoline]] | |||
|[[file:A-majeur-mandoline-02.png|thumb|A-majeur op mandoline]] | |||
|} | |} | ||
== A/C# == | |||
{| | {| | ||
|[[File:A-Major-Csharp-x,4,2,2,2,5.png|thumb|A/C# - The last string is often dropped]] | |[[File:A-Major-Csharp-x,4,2,2,2,5.png|thumb|A/C# - The last string is often dropped]] | ||
|} | |||
== A/D == | |||
{| | |||
|[[File:A-Major-D-x,x,0,2,2,0.png|thumb|Guitar: A/D]] | |||
|} | |||
== A/E == | |||
{| | |||
|[[File:A-over-E.png|thumb]] | |[[File:A-over-E.png|thumb]] | ||
|} | |||
== Asus2 == | |||
{| | |||
|[[File:Asus2.gif|thumb|Asus2: [[REM - Try not to Breathe]]]] | |||
|} | |||
== Asus4 == | |||
Notes: | |||
* A major: A, C#, E | |||
* Asus4: A, D, E - The perfect third becomes a fourth | |||
{| | |||
|[[File:Asus4.gif|thumb|Asus4 on gitar. Notes: A, D, E. Played notes: X, A, E, A, D, E]] | |||
|} | |||
<pre> | |||
Asus4 on mandoline | |||
---------------- | |||
E O| | |||
A O| | |||
D O| | |||
G O|-G#-|-A--| | |||
---------------- | |||
| 1 | 2 | 3 | | |||
</pre> | |||
== Aadd9add13/E == | |||
{| | |||
|[[File:Aadd9add13-over-3-gitaar.png|thumb|Aadd9add13/E - Gitaar - A over E, met toegevoegde none en toegevoegde tredecime - Octaaf-overstijgend akkoord?]] | |||
|} | |} | ||
Regel 50: | Regel 94: | ||
{| | {| | ||
|[[File:A5.gif|thumb|A5-Fret 5: [[ | |[[File:A5.gif|thumb|A5 Guitar - Fret 5]] | ||
|[[ | |[[file:20140101-0243.png|thumb|A5 - Ukulele]] | ||
|} | |||
== A6sus2 == | |||
{| | |||
|[[File:a6sus2-gitaar-01.png|thumb|A6sus2 - Gitaar (1)]] | |||
|[[File:a6sus2-gitaar-02.png|thumb|A6sus2 - Gitaar (2)]] | |||
|[[File:a6sus2-gitaar-03.png|thumb|A6sus2 - Gitaar (3)]] | |||
|} | |||
{| | |||
|[[File:a6sus2-gitaar-04.png|thumb|A6sus2 - Gitaar (4)]] | |||
|[[File:a6sus2-gitaar-05.png|thumb|A6sus2 - Gitaar (5)]] | |||
|[[File:a6sus2-gitaar-06.png|thumb|A6sus2 - Gitaar (6)]] | |||
|} | |} | ||
Regel 58: | Regel 115: | ||
{| | {| | ||
|[[File:A7-01.png|thumb|A7]] | |[[File:A7-01.png|thumb|A7]] | ||
|[[File:A7.gif|thumb|A7 | |[[File:A7.gif|thumb|A7]] | ||
|[[file:A7-piano.png|thumb|A7]] | |[[file:A7-piano.png|thumb|A7]] | ||
|[[file:20140102-2358.png|thumb|A7]] | |[[file:20140102-2358.png|thumb|A7]] | ||
Regel 73: | Regel 130: | ||
|[[File:A7sus4(2).gif|thumb|A7sus4 (2)]] | |[[File:A7sus4(2).gif|thumb|A7sus4 (2)]] | ||
|[[File:A-7th_Suspended_4th-A-x,0,2,0,3,3.png|thumb|A7sus4 (3) - [[Pink Floyd - Wish you were Here]] ]] | |[[File:A-7th_Suspended_4th-A-x,0,2,0,3,3.png|thumb|A7sus4 (3) - [[Pink Floyd - Wish you were Here]] ]] | ||
|} | |||
== A9 == | |||
{| | |||
|[[File:A9-01.png|thumb| Guitar: A9 (1)]] | |||
|[[File:A9-02.png|thumb| Guitar: A9 (2): E-vorm met barré op 5. [[Pearl Jam - Black]]]] | |||
|[[File:A9-03.png|thumb| Guitar: A9 (3)]] | |||
|} | |||
{| | |||
|[[File:A9-04.png|thumb| Guitar: A9 (4)]] | |||
|[[File:A9-05.png|thumb| Guitar: A9 (5)]] | |||
|[[File:A9-06.png|thumb| Guitar: A9 (6)]] | |||
|} | |} | ||
Regel 78: | Regel 148: | ||
{| | {| | ||
|[[File:Am.png|thumb]] | |[[File:Am.png|thumb| Am - Gitaar]] | ||
|[[file:20140101-0229.png|thumb|Am]] | |[[File:Am-piano.png|thumb| Am - Piano]] | ||
|[[File:Am-over-g.png|thumb|Am/G]] | |[[file:20140101-0229.png|thumb|Am - Ukulele]] | ||
|} | |||
{| | |||
|[[File:Am-mandolin-01.png|thumb| Am - Mandolin]] | |||
|[[File:Am-mandolin.png|thumb| Am - Mandolin]] | |||
|[[File:Am-mandolin-02.png|thumb| Am - Mandolin]] | |||
|} | |||
== Am/G == | |||
{| | |||
|[[File:Am-over-g.png|thumb|Am/G - Guitar]] | |||
|} | |||
== Am6 == | |||
{| | |||
|[[File:Am6.png|thumb|Am6]] | |[[File:Am6.png|thumb|Am6]] | ||
|} | |} | ||
Regel 101: | Regel 186: | ||
{| | {| | ||
||[[File:A-Kruis.gif|thumb|A♯ | ||[[File:A-Kruis.gif|thumb|A♯ - Gitaar]] | ||
||[[File:A-Kruis-2.gif|thumb|A♯ | ||[[File:A-Kruis-2.gif|thumb|A♯ - Gitaar]] | ||
|[[file:20140101-0050.png|thumb|A#]] | |} | ||
|[[file:Asharp7-piano.png|thumb|A♯7]] | {| | ||
|[[file:20140101-0050.png|thumb|A# - Ukulele]] | |||
|[[file:Asharp7-piano.png|thumb|A♯7 - Piano]] | |||
|} | |||
== A♯7 == | |||
{| | |||
||[[File:Ais7.png|thumb|A♯7 - Gitaar]] | |||
|} | |||
== A♯/C == | |||
{| | |||
||[[File:Ais-over-c-gitaar-01.png|thumb|A♯/C - Gitaar]] | |||
||[[File:Ais-over-c-gitaar-02.png|thumb|A♯/C - Gitaar]] | |||
|} | |||
== A♯7sus4 == | |||
{| | |||
||[[File:Ais7-sus4-gitaar-01.png|thumb|A♯7sus4 - Gitaar]] | |||
||[[File:Ais7-sus4-gitaar-02.png|thumb|A♯7sus4 - Gitaar]] | |||
||[[File:Ais7-sus4-gitaar-03.png|thumb|A♯7sus4 - Gitaar]] | |||
|} | |||
== A♯7/D == | |||
{| | |||
||[[File:Ais7-over-d-gitaar-01.png|thumb|A♯7/D - Gitaar]] | |||
||[[File:Ais7-over-d-gitaar-02.png|thumb|A♯7/D - Gitaar]] | |||
|} | |} | ||
Regel 112: | Regel 227: | ||
|[[File:Bb.gif|thumb|B♭=A♯: [[Stef Bos - Wodka]], [[Triggerfinger - I Follow Rivers]]]] | |[[File:Bb.gif|thumb|B♭=A♯: [[Stef Bos - Wodka]], [[Triggerfinger - I Follow Rivers]]]] | ||
|[[File:Bb(2).gif|thumb|B♭=A♯: Vaak gemakkelijker: Een doorgeschoven F]] | |[[File:Bb(2).gif|thumb|B♭=A♯: Vaak gemakkelijker: Een doorgeschoven F]] | ||
|} | |} | ||
== B♭5 == | |||
{| | |||
|[[File:Bb5-Fret3.gif|thumb|Open B♭5 at Fret 3: [[U2 - One Tree Hill]]]] | |||
|} | |||
== B♭7 == | |||
{| | {| | ||
|[[File:Bb7-1.png|thumb|B♭7]] | |[[File:Bb7-1.png|thumb|B♭7]] | ||
|[[File:Bb7-2.png|thumb|B♭7]] | |[[File:Bb7-2.png|thumb|B♭7]] | ||
|} | |||
== B♭9 == | |||
{| | |||
|[[File:Bb9.png|thumb|Bb9]] | |[[File:Bb9.png|thumb|Bb9]] | ||
|} | |} | ||
== B♭m == | |||
{| | {| | ||
|[[File:Bbm-1.png|thumb|B♭m]] | |[[File:Bbm-1.png|thumb|B♭m]] | ||
Regel 151: | Regel 278: | ||
|[[File:B7-02.png|thumb|B7]] | |[[File:B7-02.png|thumb|B7]] | ||
|[[File:B7-03.png|thumb|B7]] | |[[File:B7-03.png|thumb|B7]] | ||
|} | |||
{| | |||
|[[File:B7-04.png|thumb|B7]] | |[[File:B7-04.png|thumb|B7]] | ||
|[[File:B7-piano.png|thumb|B7 - piano]] | |||
|[[File:B7sus4.png|thumb|B7sus4]] | |||
|} | |} | ||
== BMaj7 == | |||
{| | {| | ||
|[[ | |[[file:BMaj7-01.png|thumb|BMaj7]] | ||
|[[file:BMaj7-02.png|thumb|BMaj7]] | |||
|[[file:BMaj7-03.png|thumb|BMaj7]] | |||
|} | |} | ||
Regel 160: | Regel 296: | ||
{| | {| | ||
|[[file:B-mineur-piano.jpg|thumb|Bm]] | |[[file:Bm-gitaar-1.png|thumb|Bm - Am-vorm]] | ||
|[[file:Bm-gitaar-2.png|thumb|Bm - F-vorm]] | |||
|[[file:B-mineur-piano.jpg|thumb|Bm - Piano]] | |||
|} | |||
{| | |||
|[[file:B-mineur-ukulele.png|thumb|Bm - Ukulele]] | |[[file:B-mineur-ukulele.png|thumb|Bm - Ukulele]] | ||
|[[file:B-mineur-over-a-gitaar.png|thumb|Bm/A - Gitaar]] | |||
|} | |} | ||
Regel 167: | Regel 308: | ||
{| | {| | ||
|[[File:Bm7- | |[[File:Bm7-03.png|thumb|Bm7 - Gitaar - Am7-vorm]] | ||
|[[File:Bm7- | |[[File:Bm7-01.png|thumb|Bm7 - Gitaar - Meest gebruikelijke variant?]] | ||
|[[File:Bm7- | |[[File:Bm7-02.png|thumb|Bm7 - Gitaar]] | ||
|[[File:Bm7-04.png|thumb|Bm7 | |[[File:Bm7-04.png|thumb|Bm7 - Gitaar- Em7-vorm]] | ||
|} | |} | ||
Regel 184: | Regel 325: | ||
== C == | == C == | ||
Noten: C, E, G | |||
{| | |||
|[[File:C.png|thumb|C-majeurakkoord op gitaar, "C-shape"]] | |||
|[[File:C-photo.jpg|thumb|C-majeurakkoord op gitaar, "C-shape" - Foto]] | |||
|[[File:C-Major-C-8,10,10,9,8,8.png|thumb|C-major chord on guitar: E-shape with bar on 8]] | |||
|[[File:C-Major-shifted-A.png|thumb|C-major chord on guitar: A-shape with bar on 3]] | |||
|} | |||
{| | |||
|[[file:C-majeur.gif|thumb|C major chord on piano]] | |||
|[[file:C-majeur-mandoline-01.png|thumb|C-major chord on mandolin (1). Notes per string: G, E, C & E. The last string is optional]] | |||
|[[file:C-majeur-mandoline-02.png|thumb|C-major chord on mandolin (2)]] | |||
|} | |||
{| | |||
|[[file:20140101-0056.png|thumb|C-major chord on Ukulele]] | |||
|[[file:20180908-1619.png|thumb|C-major chord on Ukulele (2)]] | |||
|[[file:20180908-1620.png|thumb|C-major chord on Ukulele (3)]] | |||
|} | |||
{| | |||
|[[File:Cadd9.gif|thumb|Cadd9 chord on guitar]] | |||
|[[File:Csus4.gif|thumb|Csus4 chord on guitar: [[Alt-J - Taro]]]] | |||
|[[file:20140102-2225.png|thumb|Csus4 chord on guitar]] | |||
|} | |||
== C5 == | |||
A C5 chord, or ''power chord'' consists of only the root and a ''fifth'' (''reine kwint''), which is 7 half-steps above the root: ''C'' & ''G'' | |||
{| | {| | ||
|[[File: | | | ||
|[[File: | |[[File:C5.gif|thumb|C5 - guitar]] | ||
|[[File: | |[[File:C5-fret8.png|thumb|C5 - Guitar - Starting at the low E-string]] | ||
|[[File:C5-fret3.png|thumb|C5 - Guitar - Starting at the A-string]] | |||
|[[File:C5-piano.png|thumb|C5 - Piano]] | |||
|} | |} | ||
== C5/G == | |||
{| | {| | ||
|[[ | |[[File:C5-over-g-01.png|thumb|Gitaar: C5/G]] | ||
|[[ | |[[File:C5-over-g-02.png|thumb|Gitaar: C5/G]] | ||
|[[File: | |[[File:C5-over-g-03.png|thumb|Gitaar: C5/G]] | ||
|} | |} | ||
{| | {| | ||
|[[File: | |[[File:C5-over-g-04.png|thumb|Gitaar: C5/G]] | ||
|[[File: | |[[File:C5-over-g-05.png|thumb|Gitaar: C5/G]] | ||
|[[File: | |[[File:C5-over-g-06.png|thumb|Gitaar: C5/G]] | ||
|} | |} | ||
== C7 == | |||
{| | {| | ||
|[[File: | |[[File:C7-01.png|thumb|C7 (1)]] | ||
|[[File: | |[[File:C7-02.png|thumb|C7 (2)]] | ||
|} | |} | ||
== C7#9 == | |||
{| | |||
|[[File:C7sharp9-01.png|thumb|C7#9]] | |||
|[[File:C7sharp9-02.png|thumb|C7#9]] | |||
|[[File:C7sharp9-03.png|thumb|C7#9]] | |||
|} | |||
{| | {| | ||
|[[File: | |[[File:C7sharp9-04.png|thumb|C7#9]] | ||
|[[File:C7sharp9-05.png|thumb|C7#9]] | |||
|[[File:C7sharp9-06.png|thumb|C7#9]] | |||
|} | |} | ||
Regel 224: | Regel 406: | ||
* http://www.scenicnewengland.net/guitar/chords/number.htm | * http://www.scenicnewengland.net/guitar/chords/number.htm | ||
* http://www.ultimate-guitar.com/lessons/chords/basic_chord_theory_iii.html | * http://www.ultimate-guitar.com/lessons/chords/basic_chord_theory_iii.html | ||
== C(maj7) == | |||
''C(maj7)'', ''CM7'', ''C Major seventh'' oftewel ''C majeur-septiem-akkoord'' is een C-majeur akkoord met een groot septiem. | |||
Noten: <code>C, E, G, B</code>: | |||
* C: Basis | |||
* E: Grote terts (dit maakt het een majeur-akkoord) | |||
* G: Reine kwint | |||
* B: Groot septiem: Van C naar B is een interval van 11 semitonen ([[Intervallen#Overzicht]]) | |||
{| | |||
|[[File:Cmaj7.gif|thumb|Cmaj7: [[4 Non Blondes - Drifting]], [[Melanie Safka - Beautiful People]], [[REM - Country Feedback]], [[REM - Low]]]] | |||
|[[file:20140102-2247.png|thumb|Cmaj7 - Ukulele]] | |||
|[[file:20200215-1325.png|thumb|Cmaj7 - Piano]] | |||
|} | |||
== Cm == | == Cm == | ||
Noten: | |||
<pre> | |||
C-majeur C-mineur | |||
-------- -------- | |||
C C | |||
E D# | |||
G G | |||
</pre> | |||
{| | {| | ||
|[[File:Cm.gif|thumb|Cm: [[Alt-J - Taro]]]] | |[[File:Cm.gif|thumb|Cm - Guitaar: [[Alt-J - Taro]]]] | ||
|[[file:C-mineur.png|thumb|Cm]] | |[[file:C-mineur.png|thumb|Cm - Piano]] | ||
|[[file:C-mineur-mandoline-01.png|thumb|Cm - Mandoline: Zelfde vorm als C-majeur, maar met verlaagde D-snaar en zonder E-snaar (want die zou ook verlaagd moeten worden)]] | |||
|} | |} | ||
Regel 244: | Regel 454: | ||
|[[File:Cm7-01.png|thumb|Cm7]] | |[[File:Cm7-01.png|thumb|Cm7]] | ||
|[[File:Cm7-02.png|thumb|Cm7 - Moeilijker]] | |[[File:Cm7-02.png|thumb|Cm7 - Moeilijker]] | ||
|} | |||
== C/B == | |||
{| | |||
|[[File:C-over-B-01.png|thumb|C/B]] | |||
|[[File:C-over-B-02.png|thumb|C/B]] | |||
|} | |||
== C/G == | |||
{| | |||
|[[File:C-over-G.gif|thumb|C/G]] | |||
|} | |} | ||
Regel 252: | Regel 475: | ||
|[[File:Csharpm-2.png|thumb|C♯ - Doorgeschoven A]] | |[[File:Csharpm-2.png|thumb|C♯ - Doorgeschoven A]] | ||
|[[File:Csharp-3.png|thumb|C♯ - Doorgeschoven F]] | |[[File:Csharp-3.png|thumb|C♯ - Doorgeschoven F]] | ||
|[[File:Csharp7-Fret-4.gif|thumb|C♯7 | |} | ||
== C♯5 == | |||
{| | |||
|[[File:Csharp5-1.png|thumb|C♯5 (guitaar) - A-vorm met barré op 4]] | |||
|[[File:Csharp5-2.png|thumb|C♯5 (guitaar) - Powercord (slechts twee noten)]] | |||
|[[File:Csharp5-3.png|thumb|C♯5 (guitaar) - F-vorm met barré op 9]] | |||
|} | |||
{| | |||
|[[File:Csharp5-4.png|thumb|C♯5 (guitaar)]] | |||
|[[File:Csharp5-5.png|thumb|C♯5 (guitaar)]] | |||
|} | |||
== C♯7 == | |||
{| | |||
|[[File:Csharp7-Fret-4.gif|thumb|C♯7 (1)]] | |||
|[[File:Csharp7-(2).png|thumb|C♯7 (2)]] | |||
|} | |} | ||
Regel 258: | Regel 500: | ||
{| | {| | ||
|[[File:Csharpm-Fret-4.gif|thumb|C♯m - | |[[File:Csharpm-Fret-4.gif|thumb|C♯m - Gitaar: Am-shape (fret 4)]] | ||
|[[File:Csharpm-Fret-9.png|thumb|C♯m - | |[[File:Csharpm-Fret-9.png|thumb|C♯m - Gitaar: Fm-shape (fret 9)]] | ||
|[[File:Csharpm-piano.png|thumb|C♯m - Piano]] | |||
|} | |||
== C♯m7 == | |||
{| | |||
|[[File:Csharpm7-01.png|thumb|C♯m7]] | |[[File:Csharpm7-01.png|thumb|C♯m7]] | ||
|[[File:Csharpm7-02.png|thumb|C♯m7]] | |[[File:Csharpm7-02.png|thumb|C♯m7]] | ||
Regel 279: | Regel 527: | ||
== D == | == D == | ||
Noten: | |||
<pre> | |||
D-majeur D-mineur | |||
----------------- ---------------- | |||
* Basis: D Basis: D | |||
* Grote terts: F# Kleine terts: F | |||
* Reine kwint: A Reine kwint: A | |||
</pre> | |||
{| | |||
|[[File:D.png|thumb|D - Gitaar]] | |||
|[[File:D-handzetting.jpg|thumb|D - Gitaar: Hoe je 'm vasthoudt]] | |||
|} | |||
{| | |||
|[[file:D-majeur.gif|thumb|D - Piano]] | |||
|[[file:20140101-0111.png|thumb|D - Ukulele]] | |||
|} | |||
{| | |||
|[[file:g-majeur-mandoline.png|thumb|D - Mandoline. Noten per snaar: A, D, A, F#. De eerste snaar is optioneel]] | |||
|[[file:d-majeur-mandoline-02.png|thumb|D - Mandoline. Noten per snaar: D, A, F#. De eerste snaar is weggelaten]] | |||
|} | |||
''' Ukelele ''' | |||
<pre> | |||
A O | | |||
E |-F--|-F#-| | |||
C |-C#-|-D--| | |||
G X | | |||
| 1 | 2 | *3 | 4 | *5 | 6 | *7 | 8 | *9 | 10 | 11 |*12*| 13 | 14 | | |||
</pre> | |||
== Dsus2 == | |||
{| | |||
|[[File:Dsus2.gif|thumb|Dsus2. Basistoon: <code>D</code>. Grote terts: <code>F#</code>. Kleine terts vanaf daar: <code>A</code> Gespeelde noten:<code>D, A, D, E</code>]] | |||
|[[file:20140101-0107.png|thumb|Dsus2]] | |||
|} | |||
== Dsus4 == | |||
{| | |||
|[[File:Dsus4.gif|thumb|Dsus4]] | |||
|} | |||
== D5 == | |||
{| | {| | ||
|[[File: | |[[File:D5-Fret5.png|thumb|D5 at Fret 5]] | ||
|[[File:D5-Fret7.gif|thumb|D5 at Fret 7]] | |[[File:D5-Fret7.gif|thumb|D5 at Fret 7]] | ||
|} | |} | ||
== D6 == | |||
{| | {| | ||
|[[File:D6.png|thumb|D6]] | |[[File:D6.png|thumb|D6]] | ||
|} | |||
== D7 == | |||
{| | |||
|[[File:D7.gif|thumb|D7-akkoord: '''Basistoon:''' <code>D</code>. '''Grote terts:''' <code>F#</code>. '''Kleine terts:''' vanaf daar: <code>A</code>. '''Gespeelde noten:''' <code>D, A, B#, F#</code>. Hiervan hoort ''B#'' niet in de D-majeurtoonladder]] | |[[File:D7.gif|thumb|D7-akkoord: '''Basistoon:''' <code>D</code>. '''Grote terts:''' <code>F#</code>. '''Kleine terts:''' vanaf daar: <code>A</code>. '''Gespeelde noten:''' <code>D, A, B#, F#</code>. Hiervan hoort ''B#'' niet in de D-majeurtoonladder]] | ||
|} | |||
== D9 == | |||
{| | |||
|[[File:D9.gif|thumb|D9]] | |[[File:D9.gif|thumb|D9]] | ||
|} | |} | ||
== Dadd9 == | |||
{| | {| | ||
|[[File:D-Major Add 9th-D-x,5,4,2,5,2.png|thumb|Dadd9]] | |[[File:D-Major Add 9th-D-x,5,4,2,5,2.png|thumb|Dadd9]] | ||
|[[File: | |} | ||
|[[ | |||
|[[File: | == Dadd9/F# == | ||
{| | |||
|[[File:Dadd9-over-fsharp-01.png|thumb|Dadd9/F# - Gitaar (1)]] | |||
|[[File:Dadd9-over-fsharp-02.png|thumb|Dadd9/F# - Gitaar (2)]] | |||
|[[File:Dadd9-over-fsharp-03.png|thumb|Dadd9/F# - Gitaar (3)]] | |||
|[[File:Dadd9-over-fsharp-04.png|thumb|Dadd9/F# - Gitaar (4)]] | |||
|} | |} | ||
== Dm == | == Dm == | ||
Noten: | |||
<pre> | |||
D-majeur D-mineur | |||
----------------- ---------------- | |||
* Basis: D Basis: D | |||
* Grote terts: F# Kleine terts: F | |||
* Reine kwint: A Reine kwint: A | |||
</pre> | |||
{| | |||
|[[File:Dm-gewoon.jpg|thumb|Dm - Gitaar]] | |||
|[[File:Dm-barred.png|thumb|Dm - Gitaar: Verschoven Am-shape]] | |||
|} | |||
{| | {| | ||
|[[ | |[[file:D-mineur.gif|thumb|Dm - Piano]] | ||
|[[file: | |[[file:20140101-0106.png|thumb|Dm - Ukulele]] | ||
|[[file: | |} | ||
{| | |||
|[[file:Dm-mandoline-01.png|thumb|Dm - Mandoline: De noten van het akkoord zijn <code>D, F, A</code> en de noten per snaar hier: <code>x, D, A, F</code> ]] | |||
|[[file:Dm-mandoline.png|thumb|Dm - Mandoline: De eerste snaar is overbodig (extra <code>A</code>)]] | |||
|} | |} | ||
Regel 309: | Regel 644: | ||
{| | {| | ||
|[[File:Dm7.png|thumb|Dm7]] | |[[File:Dm7.png|thumb|Guitar: Dm7]] | ||
|[[file:20140103-1950.png|thumb|Dm7]] | |[[file:20140103-1950.png|thumb|Ukulele: Dm7]] | ||
|} | |||
== Dm7b5 == | |||
{| | |||
|[[File:Dm7b5.png|thumb|Dm7b5 - Gitaar]] | |||
|} | |||
== D/B == | |||
{| | |||
|[[File:d-over-b-01.png|thumb|D/B on Guitar: D-shape with additional B (1)]] | |||
|[[File:d-over-b-02.png|thumb|D/B on Guitar: D-shape with additional B (2)]] | |||
|} | |||
== D/C# == | |||
{| | |||
|[[File:d-over-cis-01.png|thumb|D/C# on Guitar: D-shape with additional C#]] | |||
|[[File:d-over-cis-02.png|thumb|D/C# on Guitar: A-shape with additional C#]] | |||
|} | |||
== D/F♯ == | |||
{| | |||
|[[File:D-over-f-kruis.gif|thumb|D/F♯: D chord with a F♯ bass line. De bass line can be done with the thumb [http://www.youtube.com/watch?v=X91GHpMEsX0] or pointing finger [http://www.youtube.com/watch?v=GZ05gqwxJ4w]. [[4 Non Blondes - Drifting]] ]] | |||
|[[File:D-over-f-kruis-piano.jpg|thumb|D/F♯ - Piano]] | |||
|[[File:Dsus4overfkruis.gif|thumb|Dsus4/F♯]] | |||
|} | |} | ||
Regel 316: | Regel 680: | ||
{| | {| | ||
|[[File:Dsharp1.png|thumb|D♯]] | |[[File:Dsharp1.png|thumb|D♯ - Gitaar: D-vorm 1 fret doorgeschoven]] | ||
|[[File:Dshar2.png|thumb|D♯]] | |[[File:Dshar2.png|thumb|D♯ - Gitaar: C-vorm 3 frets doorgeschoven]] | ||
|[[File:Dshar3.png|thumb|D♯]] | |[[File:Dshar3.png|thumb|D♯ - Gitaar: A-vorm 6 frets doorgeschoven]] | ||
|} | |} | ||
{| | {| | ||
|[[File:Dsharp4.png|thumb|D♯]] | |[[File:Dsharp4.png|thumb|D♯ -Gitaar: E-vorm 11 frets doorgeschoven]] | ||
|[[File:Dsharp5.png|thumb|D♯]] | |[[File:Dsharp5.png|thumb|D♯]] | ||
|[[File:Dsharp6.png|thumb|D♯]] | |[[File:Dsharp6.png|thumb|D♯]] | ||
|} | |||
== D♯/G == | |||
{| | |||
|[[File:Dsharp-over-g-01.png|thumb|D♯/G - Gitaar]] | |||
|[[File:Dsharp-over-g-02.png|thumb|D♯/G - Gitaar]] | |||
|[[File:Dsharp-over-g-03.png|thumb|D♯/G - Gitaar]] | |||
|} | |||
== D♯5 == | |||
{| | |||
|[[File:Dkruis5.png|thumb|D♯5 - Gitaar]] | |||
|} | |} | ||
Regel 344: | Regel 722: | ||
|} | |} | ||
== | == D♯m7 == | ||
{| | {| | ||
|[[File: | |[[File:Dsharpm7-1.png|thumb|D♯m7 - Gitaar - Am7-vorm]] | ||
|[[File: | |[[File:Dsharpm7-2.png|thumb|D♯m7 - Gitaar]] | ||
|} | |} | ||
Regel 361: | Regel 739: | ||
== E == | == E == | ||
Noten: | |||
<pre> | |||
E-majeur E-mineur | |||
----------------- ---------------- | |||
* Basis: E Basis: E | |||
* Grote terts: G# Kleine terts: G | |||
* Reine kwint: B Reine kwint: B | |||
</pre> | |||
{| | |||
|[[File:E1.png|thumb|E-majeur-akkoord (1) - gitaar. Noten E-majeur: E, G#, B. Gespeelde noten: E, B, E, G#, B, E]] | |||
|[[File:E2.png|thumb|E-majeur-akkoord (2) - gitaar]] | |||
|[[File:E3.png|thumb|E-majeur-akkoord (3) - gitaar]] | |||
|} | |||
{| | |||
|[[File:E4.png|thumb|E-majeur-akkoord (4) - gitaar - A-vorm met barré op 7]] | |||
|[[File:E5.png|thumb|E-majeur-akkoord (5) - gitaar]] | |||
|[[File:E6.png|thumb|E-majeur-akkoord (6) - gitaar]] | |||
|} | |||
{| | {| | ||
|[[file:E-majeur-piano.png|thumb|E-majeur-akkoord - Piano]] | |||
|[[file:E-majeur-piano.png|thumb|E]] | |[[file:20140101-0123.png|thumb|E-majeur-akkoord - Ukulele]] | ||
|[[file:20140101-0123.png|thumb|E]] | |||
|} | |} | ||
{| | {| | ||
|[[ | |[[file:E-majeur-mandolin-01.png|thumb|E-majeur-akkoord - Mandoline (1)]] | ||
|[[ | |[[file:E-majeur-mandolin-02.png|thumb|E-majeur-akkoord - Mandoline (2)]] | ||
|} | |} | ||
<pre> | |||
E-majeur op mandoline | |||
---------------- | |||
E | | |||
A |-A#-|-B--| | |||
D |-D#-|-E--| | |||
G |-G#-| | |||
---------------- | |||
| 1 | 2 | 3 | | |||
</pre> | |||
== Edim7 == | |||
{| | {| | ||
|[[File:E-dim-7.png|thumb|E diminished 7]] | |[[File:E-dim-7.png|thumb|E diminished 7]] | ||
|} | |||
== E(maj7) == | |||
''Emaj7'', ''E-major7'', ''E(maj7)'' of ''E groot septiem'', is een E majeur-akkoord met een majeur-septiem. Noten: <code>E, G#, B, D#</code>: | |||
* E: Basis | |||
* G#: Grote terts - Dit maakt het een majeurakkoord | |||
* B: Reine kwint | |||
* D#: Groot sepiem - 11 seminoten. | |||
{| | |||
|[[File:Em7(2).gif|thumb|Emaj7]] | |||
|[[File:Em7.gif|thumb|Emaj7]] | |||
|[[File:Em7-over-b.png|thumb|Emaj7/B]] | |||
|[[File:Emaj7-piano.png|thumb|Emaj7 - Piano]] | |||
|} | |||
== E5 == | |||
{| | |||
|[[File:E5-two-fingers.png|thumb|E5 - Guitar - Only two strings]] | |||
|[[File:E5.gif|thumb|E5 - Guitar - Three strings]] | |||
|[[File:E5-piano.png|thumb|E5 - Piano]] | |||
|} | |} | ||
Regel 383: | Regel 817: | ||
|[[File:E7-2.png|thumb|E7]] | |[[File:E7-2.png|thumb|E7]] | ||
|[[File:E7-3.png|thumb|E7]] | |[[File:E7-3.png|thumb|E7]] | ||
|} | |||
{| | |||
|[[File:E7-4.png|thumb|E7]] | |[[File:E7-4.png|thumb|E7]] | ||
|[[File:E7-over-gis-gitaar.png|thumb|E7/G# - Gitaar]] | |||
|} | |} | ||
Regel 390: | Regel 827: | ||
{| | {| | ||
|[[File:E9-01.png|thumb|E9]] | |[[File:E9-01.png|thumb|E9]] | ||
|} | |||
== E/B == | |||
{| | |||
|[[File:E-over-B.png|thumb]] | |||
|} | |||
== E/F♯ == | |||
{| | |||
|[[File:E-over-F-kruis.gif|thumb|E/F♯]] | |||
|} | |} | ||
Regel 402: | Regel 851: | ||
{| | {| | ||
|[[File:Em.gif|thumb|Em]] | |[[File:Em.gif|thumb|Em - Gitaar]] | ||
|[[ | |[[File:Em-hands.jpg|thumb|Em - Gitaar: Hoe je 'm vasthoudt]] | ||
|} | |} | ||
{| | {| | ||
|[[file:E-mineur-piano.png|thumb|Em - Piano]] | |||
|[[File:Em-ukulele.png|thumb|Em - Ukulele]] | |[[File:Em-ukulele.png|thumb|Em - Ukulele]] | ||
|[[file:Em-mandoline.png|thumb|Em - Mandoline]] | |||
|} | |||
== Em6 == | |||
{| | |||
|[[File:Em6.gif|thumb|Em6]] | |[[File:Em6.gif|thumb|Em6]] | ||
|} | |} | ||
== | == Em9 == | ||
{| | {| | ||
|[[File: | |[[File:Em9-gitaar-01.png|thumb|Em9 - Gitaar (1)]] | ||
|[[File: | |[[File:Em9-gitaar-02.png|thumb|Em9 - Gitaar (2)]] | ||
|[[File: | |[[File:Em9-gitaar-03.png|thumb|Em9 - Gitaar (3)]] | ||
|} | |||
{| | |||
|[[File:Em9-gitaar-04.png|thumb|Em9 - Gitaar (4)]] | |||
|[[File:Em9-gitaar-05.png|thumb|Em9 - Gitaar (5)]] | |||
|[[File:Em9-gitaar-06.png|thumb|Em9 - Gitaar (6)]] | |||
|} | |} | ||
Regel 422: | Regel 883: | ||
|[[File:Em-over-g-1.png|thumb|Em/G]] | |[[File:Em-over-g-1.png|thumb|Em/G]] | ||
|[[File:Em-over-g-2.png|thumb|Em/G]] | |[[File:Em-over-g-2.png|thumb|Em/G]] | ||
|} | |||
{| | |||
|[[File:Em-over-g-3.png|thumb|Em/G]] | |[[File:Em-over-g-3.png|thumb|Em/G]] | ||
|[[File:Em-over-g-4.png|thumb|Em/G]] | |[[File:Em-over-g-4.png|thumb|Em/G]] | ||
|} | |} | ||
== | == Esus2 == | ||
{| | {| | ||
|[[File: | |[[File:Esus2-01.png|thumb| Guitar: Esus2 (1)]] | ||
|[[File: | |[[File:Esus2-02.png|thumb| Guitar: Esus2 (2) - A-shape with bar at 7]] | ||
|[[File:Esus2-03.png|thumb| Guitar: Esus2 (3)]] | |||
|} | |||
{| | |||
|[[File:Esus2-04.png|thumb| Guitar: Esus2 (4)]] | |||
|[[File:Esus2-05.png|thumb| Guitar: Esus2 (5)]] | |||
|[[File:Esus2-06.png|thumb| Guitar: Esus2 (6)]] | |||
|} | |} | ||
== | == Esus4 == | ||
{| | {| | ||
Regel 441: | Regel 910: | ||
== F == | == F == | ||
An ''F major chord'' consists of the following notes: | |||
* Root: F | |||
* Major third from the root (''grote terts'' - ''tercja wielka''): A | |||
* Perfect fifth from the root (''reine kwint'' - ''czysty kwinta''): C | |||
* ----- | |||
* F, A, C | |||
As an example, these are the notes in the usual way that an F-chord is played on the guitar: | |||
* E-string: F | |||
* A-string: C | |||
* D-string: F | |||
* G-string: A | |||
* B-string: C | |||
* e-string: F | |||
''' F major chord without bar? ''' | |||
Let's find an F major chord without bar, starting with the notes as they are in the default F-chord: | |||
* The C- and F-notes are played on multiple strings, which provides us with some flexilibity to how to play it. The A-note is played on only the G-string. Let's use that as our first note | |||
* Let's use the E- or e-string to form the ''F'' → Let's use the e-string (high sounding e, not the low-sounding) | |||
* Let's use the B-string to form the ''C'' | |||
In total: | |||
<pre> | |||
e |-F--|----|----|----|----|----|----|----|----|----|----|----|----|----| | |||
B |-C--|----|----|----|----|----|----|----|----|----|----|----|----|----| | |||
G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----| | |||
DX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| | |||
AX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| | |||
EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| | |||
| 1 | 2 | *3 | 4 | *5 | 6 | *7 | 8 | *9 | 10 | 11 |*12*| 13 | 14 | | |||
</pre> | |||
Alternatively (this one is a bit harder, as you have to avoid ringing strings on either side of the string that you have to touch): | |||
<pre> | |||
eX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| | |||
BX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| | |||
G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----| | |||
D |----|----|-F--|----|----|----|----|----|----|----|----|----|----|----| | |||
A |----|----|-C--|----|----|----|----|----|----|----|----|----|----|----| | |||
EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| | |||
| 1 | 2 | *3 | 4 | *5 | 6 | *7 | 8 | *9 | 10 | 11 |*12*| 13 | 14 | | |||
</pre> | |||
And lastly, the usual way to play ''F'' without having to use a bar. In this case, the pointer finger is used as a small bar on the B- and e-string: | |||
<pre> | |||
e||-F--|----|----|----|----|----|----|----|----|----|----|----|----|----| | |||
B||-C--|----|----|----|----|----|----|----|----|----|----|----|----|----| | |||
G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----| | |||
D |----|----|-F--|----|----|----|----|----|----|----|----|----|----|----| | |||
A |----|----|-C--|----|----|----|----|----|----|----|----|----|----|----| | |||
EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| | |||
| 1 | 2 | *3 | 4 | *5 | 6 | *7 | 8 | *9 | 10 | 11 |*12*| 13 | 14 | | |||
</pre> | |||
{| | |||
|[[file:F.png|thumb|F - Guitar: This is the usual way to play F, with a barred first fret]] | |||
|[[file:20140101-0108.png|thumb|F - Ukulele]] | |||
|[[file:F-majeur-mandoline.jpg|thumb|F - Mandoline]] | |||
|} | |||
== Fsus2 == | |||
{| | {| | ||
|[[file:Fsus2.png|thumb|F suspended 2]] | |[[file:Fsus2.png|thumb|F suspended 2]] | ||
|} | |} | ||
== F/C == | |||
{| | {| | ||
|[[File:F-C.gif|thumb|F/C: [[U2 - One Tree Hill]]]] | |[[File:F-C.gif|thumb|F/C: [[U2 - One Tree Hill]]]] | ||
|} | |||
== F/G == | |||
{| | |||
|[[File:F-over-G.gif|thumb|F/G: [[REM - Perfect Circle]]]] | |[[File:F-over-G.gif|thumb|F/G: [[REM - Perfect Circle]]]] | ||
|} | |||
== F5 == | |||
{| | |||
|[[File:F5-fret0.png|thumb|Guitar - F5 - Open strings]] | |||
|[[File:F5-fret3.png|thumb|Guitar - F5 - Fret 3]] | |||
|[[File:F5-fret6.png|thumb|Guitar - F5 - Fret 6]] | |||
|} | |||
{| | |||
|[[File:F5-fret8.png|thumb|Guitar - F5 - Fret 8]] | |||
|[[File:F5-Fret10.gif|thumb|Guitar - F5 - Fret 10]] | |||
|[[File:F5-Fret13.png|thumb|Guitar - F5 - Fret 13]] | |||
|} | |} | ||
Regel 483: | Regel 1.045: | ||
|} | |} | ||
== | == Fsus4 == | ||
{| | |||
|[[file:Fsus4-01-gitaar.png|thumb|Fsus4 - Gitaar]] | |||
|[[file:Fsus4-02-gitaar.png|thumb|Fsus4 - Gitaar]] | |||
|} | |||
== F(maj7) == | |||
Fmaj7 <> | ''Fmaj7'', ''F-majeur7'', ''F(maj7)'', ''F major-seventh'' or ''F groot septiem'' is een F majeur-akkoord met een groot septiem. Noten: <code>F, A, C, E</code>: | ||
* F: Basis | |||
* A: Grote terts - Dit maakt het een majeur-akkoord | |||
* C: Reine kwint | |||
* E: Groot septiem - 11 seminoten. | |||
{| | {| | ||
|[[File:F-Maj-7.gif|thumb|Fmaj7]] | |[[File:F-Maj-7.gif|thumb|Fmaj7 - Gitaar - F-majeur 7]] | ||
|[[File:F-Maj-7(2).gif|thumb|F | |[[File:F-Maj-7(2).gif|thumb|Fmaj7 - Gitaar - F-majeur 7]] | ||
|[[File:F-Maj-7(3).png|thumb|F | |[[File:F-Maj-7(3).png|thumb|Fmaj7 - Gitaar - F-majeur 7]] | ||
|} | |||
{| | |||
|[[File:F-Maj7-nieuw.png|thumb|Fmaj7 - Piano]] | |||
|} | |||
== F(maj7)♭5 == | |||
''F(maj7)♭5'', ''FM7♭5'' of ''Fmaj7b5'' bestaat uit de volgende onderdelen: | |||
* F-koord (gewone F-majeur) | |||
* Groot septiem - ''major seventh'' | |||
* ♭5 - Wat is dat ook al weer? Kleine kwint? | |||
{| | |||
|[[file:F-Major 7th Flat 5th-F-1,0,2,2,0,0.png|thumb|F(maj7)♭5 - Gitaar]] | |||
|} | |||
== F(min7) == | |||
''F(min7)'', ''Fm7'' (verwarrend!) of ''Fmin7'': | |||
{| | |||
|[[File:Fm7.png|thumb|F(min7) - Gitaar]] | |||
|} | |} | ||
Regel 510: | Regel 1.107: | ||
{| | {| | ||
|[[File:Fsharp5.png|thumb|F♯5]] | |[[File:Fsharp5.png|thumb|F♯5 (gitaar): E-vorm met barré op 2]] | ||
|[[File:Fkruis5-fret8.png|thumb|F♯5 (gitaar): A-vorm met barré op 8]] | |||
|} | |} | ||
Regel 517: | Regel 1.115: | ||
{| | {| | ||
|[[File:Fsharpm.png|thumb|F♯m[http://jguitar.com/chordsearch?chordsearch=f%23m7] [[Jacques Brel - Port d'Amsterdam]]]] | |[[File:Fsharpm.png|thumb|F♯m[http://jguitar.com/chordsearch?chordsearch=f%23m7] [[Jacques Brel - Port d'Amsterdam]]]] | ||
|[[File:Fsharpm-piano.png|thumb|F♯m - Piano]] | |||
|} | |} | ||
== F♯m7 == | == F♯m7 == | ||
Regel 526: | Regel 1.124: | ||
|[[File:fkruism7-2.png|thumb|F♯m7 - Ik denk dat ik deze gemakkelijker vind [http://jguitar.com/chordsearch?chordsearch=f%23m7]]] | |[[File:fkruism7-2.png|thumb|F♯m7 - Ik denk dat ik deze gemakkelijker vind [http://jguitar.com/chordsearch?chordsearch=f%23m7]]] | ||
|[[file:FSharpm7bes5(1).png|thumb|F♯m7♭5]] | |[[file:FSharpm7bes5(1).png|thumb|F♯m7♭5]] | ||
|} | |||
== F♯m11 == | |||
{| | |||
|[[File:Fkruismineur11-1.png|thumb|F♯m11 - Gitaar (1)]] | |||
|[[File:Fkruismineur11-2.png|thumb|F♯m11 - Gitaar (2)]] | |||
|[[File:Fkruismineur11-3.png|thumb|F♯m11 - Gitaar (3)]] | |||
|} | |||
{| | |||
|[[File:Fkruismineur11-4.png|thumb|F♯m11 - Gitaar (4)]] | |||
|[[File:Fkruismineur11-5.png|thumb|F♯m11 - Gitaar (5)]] | |||
|[[File:Fkruismineur11-6.png|thumb|F♯m11 - Gitaar (6)]] | |||
|} | |||
== F♯sus4 == | |||
{| | |||
|[[File:Fsharpsus4-1.png|thumb|F♯sus4 (1) - Gitaar]] | |||
|[[File:Fsharpsus4-2.png|thumb|F♯sus4 (2) - Gitaar]] | |||
|[[File:Fsharpsus4-3.png|thumb|F♯sus4 (3) - Gitaar]] | |||
|} | |} | ||
== G == | == G == | ||
Noten: G, B, D. | |||
{| | {| | ||
|[[File:G-shifted-f.png|thumb| G | |[[File:G-01.png|thumb| G-majeur - Gitaar (1)]] | ||
|[[file:20140101-2253.png|thumb|G - Ukulele]] | |[[File:G-02.png|thumb| G-majeur - Gitaar (2)]] | ||
|[[File:G- | |[[File:G-zelf-afbeelding-gemaakt.png|thumb| G-majeur (3): Dit is een iets exotischer variant (zo exotisch, dat ik de afbeelding zelf heb gemaakt): Gebruik je wijsvinger voor de lage E-snaar. Demp daarbij de A-snaar]] | ||
|[[File: | |} | ||
{| | |||
|[[File:G-shifted-f.png|thumb|G-majeur - Gitaar (4): F-shape, shifted over two frets]] | |||
|[[File:G-04.png|thumb| G-majeur - Gitaar (5)]] | |||
|[[File:G-05.png|thumb| G-majeur - Gitaar (6)]] | |||
|[[File:G-06.png|thumb| G-majeur - Gitaar (7)]] | |||
|} | |||
{| | |||
|[[file:g-major-chord-mandolin.png|thumb|G-majeur - Mandoline]] | |||
|[[file:20140101-2253.png|thumb|G-majeur - Ukulele]] | |||
||[[File:G-piano.png|thumb|G-majeur - Piano]] | |||
|} | |||
== Gsus2 == | |||
{| | |||
|[[File:gsus2-01.png|thumb|Gsus2 op gitaar (1)]] | |||
|[[File:gsus2-02.png|thumb|Gsus2 op gitaar (2)]] | |||
|} | |} | ||
Regel 549: | Regel 1.187: | ||
|[[File:gsus4-06.png|thumb|Gsus4]] | |[[File:gsus4-06.png|thumb|Gsus4]] | ||
|} | |} | ||
== G5 == | == G5 == | ||
{| | {| | ||
|[[File:G5.gif|thumb|G5 | |[[File:G5.gif|thumb|G5]] | ||
|[[File:G5-lower-strings.gif|thumb|G5 ( | |[[File:G5-lower-strings.gif|thumb|G5 (3-5-5)]] | ||
|[[file:20140102-2246.png|thumb|G5]] | |[[file:20140102-2246.png|thumb|G5]] | ||
|} | |} | ||
Regel 569: | Regel 1.208: | ||
{| | {| | ||
|[[File:G7.png|thumb|G7]] | |[[File:G7.png|thumb|G7 - Gitaar]] | ||
|[[file:20140103-1952.png|thumb|G7]] | |[[file:20140103-1952.png|thumb|G7 - Ukulele]] | ||
|[[File:G7-mandoline.png|thumb|G7 - Mandoline]] | |||
|} | |} | ||
Regel 576: | Regel 1.216: | ||
{| | {| | ||
|[[File:G-7th_Suspended_4th-G-3,3,0,0,1,1.png|thumb|G7sus4 | |[[File:G-7th_Suspended_4th-G-3,3,0,0,1,1.png|thumb|G7sus4 - Gitaar]] | ||
|[[File:G-7th_Suspended_4th-G-3,3,0,0,3,1.png|thumb|G7sus4 | |[[File:G-7th_Suspended_4th-G-3,3,0,0,3,1.png|thumb|G7sus4 - Gitaar]] | ||
|[[File:G-7th_Suspended_4th-G-3,3,3,0,3,x.png|thumb|G7sus4 (3)]] | |[[File:G-7th_Suspended_4th-G-3,3,3,0,3,x.png|thumb|G7sus4 - Gitaar]] | ||
|} | |||
== GM7 == | |||
Dit is een 'gewone G', maar met een groot septiem (?) - ''major seventh'' | |||
{| | |||
|[[file:GM7.png|thumb|GM7 (Gmaj7)]] | |||
|} | |||
== Gmadd11 == | |||
Dit is een 'gewone G', maar met een ''kleine undecime'' (''minor eleventh'') | |||
{| | |||
|[[file:gmadd11-01.png|thumb|Gmadd11 - Gitaar]] | |||
|[[file:gmadd11-02.png|thumb|Gmadd11 - Gitaar]] | |||
|[[file:gmadd11-03.png|thumb|Gmadd11 - Gitaar]] | |||
|} | |||
== G/B == | |||
{| | |||
|[[file:g-over-b-01.png|thumb|G/B (1)]] | |||
|[[file:g-over-b-02.png|thumb|G/B (2)]] | |||
|[[file:g-over-b-03.png|thumb|G/B (3)]] | |||
|} | |||
{| | |||
|[[file:g-over-b-04.png|thumb|G/B (4)]] | |||
|[[file:g-over-b-05.png|thumb|G/B (5)]] | |||
|[[file:g-over-b-06.png|thumb|G/B (6)]] | |||
|} | |||
== G/D == | |||
{| | |||
|[[File:G-over-D.png|thumb]] | |||
|} | |||
== G/F# == | |||
{| | |||
|[[File:GoverFsharp.gif|thumb|G/F♯]] | |||
|} | |} | ||
Regel 585: | Regel 1.269: | ||
{| | {| | ||
|[[File:Gm.gif|thumb|Gm: [[Alt-J - Taro]]]] | |[[File:Gm.gif|thumb|Gm: [[Alt-J - Taro]]]] | ||
|[[file:20140102-2226.png|thumb|Gm]] | |[[file:20140102-2226.png|thumb|Gm - Ukulele]] | ||
|[[file:gm7.png|thumb|Gm7]] | |[[file:gm7.png|thumb|Gm7]] | ||
|} | |} | ||
== | == G♯ == | ||
{| | {| | ||
|[[ | |[[File:G-Kruis.gif|thumb|G♯: [[Jimmy Hendrix - All Along the Watchtower]]]] | ||
|[[File:GSharpm.gif|thumb|G♯m: [[The Kinks - Lola]]]] | |||
|} | |} | ||
== | == G♯5 == | ||
{| | {| | ||
|[[File: | |[[File:GSharp5.png|thumb|G♯5 - Guitar]] | ||
|} | |} |
Huidige versie van 8 aug 2022 om 21:17
Bronnen
- Gitaar: http://jguitar.com/chordsearch
- Mandoline: https://simplymandolin.com/open-mandolin-chords
- Ukulele: http://ukulele-chords.com
- Piano: https://www.pianochord.org
A♭
A
Noten A major: A, C#, E
A/C#
A/D
A/E
Asus2
Asus4
Notes:
- A major: A, C#, E
- Asus4: A, D, E - The perfect third becomes a fourth
Asus4 on mandoline ---------------- E O| A O| D O| G O|-G#-|-A--| ---------------- | 1 | 2 | 3 |
Aadd9add13/E
A5
A6sus2
A7
A7sus4
A9
Am
Am/G
Am6
Am7
Am9
A♯
A♯7
A♯/C
A♯7sus4
A♯7/D
B♭
B♭5
B♭7
B♭9
B♭m
B
B5
B7
BMaj7
Bm
Bm7
Bm7♭5
C
Noten: C, E, G
C5
A C5 chord, or power chord consists of only the root and a fifth (reine kwint), which is 7 half-steps above the root: C & G
C5/G
C7
C7#9
C9
C9 or C dominant 9 is a C major chord with a dominant ninth, which implies it has at least four notes
Sources
- http://www.guitar-chords.org.uk/c-dominant9-chord.html
- http://www.scenicnewengland.net/guitar/chords/number.htm
- http://www.ultimate-guitar.com/lessons/chords/basic_chord_theory_iii.html
C(maj7)
C(maj7), CM7, C Major seventh oftewel C majeur-septiem-akkoord is een C-majeur akkoord met een groot septiem.
Noten: C, E, G, B
:
- C: Basis
- E: Grote terts (dit maakt het een majeur-akkoord)
- G: Reine kwint
- B: Groot septiem: Van C naar B is een interval van 11 semitonen (Intervallen#Overzicht)
Cm
Noten:
C-majeur C-mineur -------- -------- C C E D# G G
Cm6
Cm7
C/B
C/G
C♯
C♯5
C♯7
C♯m
C♯m7
C♯m/A
D♭
D
Noten:
D-majeur D-mineur ----------------- ---------------- * Basis: D Basis: D * Grote terts: F# Kleine terts: F * Reine kwint: A Reine kwint: A
Ukelele
A O | E |-F--|-F#-| C |-C#-|-D--| G X | | 1 | 2 | *3 | 4 | *5 | 6 | *7 | 8 | *9 | 10 | 11 |*12*| 13 | 14 |
Dsus2
Dsus4
D5
D6
D7
D9
Dadd9
Dadd9/F#
Dm
Noten:
D-majeur D-mineur ----------------- ---------------- * Basis: D Basis: D * Grote terts: F# Kleine terts: F * Reine kwint: A Reine kwint: A
Dm7
Dm7b5
D/B
D/C#
D/F♯
D♯
D♯/G
D♯5
D♯7
D♯m
D♯m7
E♭
E
Noten:
E-majeur E-mineur ----------------- ---------------- * Basis: E Basis: E * Grote terts: G# Kleine terts: G * Reine kwint: B Reine kwint: B
E-majeur op mandoline ---------------- E | A |-A#-|-B--| D |-D#-|-E--| G |-G#-| ---------------- | 1 | 2 | 3 |
Edim7
E(maj7)
Emaj7, E-major7, E(maj7) of E groot septiem, is een E majeur-akkoord met een majeur-septiem. Noten: E, G#, B, D#
:
- E: Basis
- G#: Grote terts - Dit maakt het een majeurakkoord
- B: Reine kwint
- D#: Groot sepiem - 11 seminoten.
E5
E7
E9
E/B
E/F♯
E/G♯
Em
Em6
Em9
Em/G
Esus2
Esus4
F
An F major chord consists of the following notes:
- Root: F
- Major third from the root (grote terts - tercja wielka): A
- Perfect fifth from the root (reine kwint - czysty kwinta): C
- -----
- F, A, C
As an example, these are the notes in the usual way that an F-chord is played on the guitar:
- E-string: F
- A-string: C
- D-string: F
- G-string: A
- B-string: C
- e-string: F
F major chord without bar?
Let's find an F major chord without bar, starting with the notes as they are in the default F-chord:
- The C- and F-notes are played on multiple strings, which provides us with some flexilibity to how to play it. The A-note is played on only the G-string. Let's use that as our first note
- Let's use the E- or e-string to form the F → Let's use the e-string (high sounding e, not the low-sounding)
- Let's use the B-string to form the C
In total:
e |-F--|----|----|----|----|----|----|----|----|----|----|----|----|----| B |-C--|----|----|----|----|----|----|----|----|----|----|----|----|----| G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----| DX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| AX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| | 1 | 2 | *3 | 4 | *5 | 6 | *7 | 8 | *9 | 10 | 11 |*12*| 13 | 14 |
Alternatively (this one is a bit harder, as you have to avoid ringing strings on either side of the string that you have to touch):
eX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| BX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----| D |----|----|-F--|----|----|----|----|----|----|----|----|----|----|----| A |----|----|-C--|----|----|----|----|----|----|----|----|----|----|----| EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| | 1 | 2 | *3 | 4 | *5 | 6 | *7 | 8 | *9 | 10 | 11 |*12*| 13 | 14 |
And lastly, the usual way to play F without having to use a bar. In this case, the pointer finger is used as a small bar on the B- and e-string:
e||-F--|----|----|----|----|----|----|----|----|----|----|----|----|----| B||-C--|----|----|----|----|----|----|----|----|----|----|----|----|----| G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----| D |----|----|-F--|----|----|----|----|----|----|----|----|----|----|----| A |----|----|-C--|----|----|----|----|----|----|----|----|----|----|----| EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----| | 1 | 2 | *3 | 4 | *5 | 6 | *7 | 8 | *9 | 10 | 11 |*12*| 13 | 14 |
Fsus2
F/C
F/G
F5
F6
F6: De tweede en derde noot zijn beiden drie halve noten verlaagd:
F7
F7: De derde noot is twee halve tonen verlaagd.
Fsus4
F(maj7)
Fmaj7, F-majeur7, F(maj7), F major-seventh or F groot septiem is een F majeur-akkoord met een groot septiem. Noten: F, A, C, E
:
- F: Basis
- A: Grote terts - Dit maakt het een majeur-akkoord
- C: Reine kwint
- E: Groot septiem - 11 seminoten.
F(maj7)♭5
F(maj7)♭5, FM7♭5 of Fmaj7b5 bestaat uit de volgende onderdelen:
- F-koord (gewone F-majeur)
- Groot septiem - major seventh
- ♭5 - Wat is dat ook al weer? Kleine kwint?
F(min7)
F(min7), Fm7 (verwarrend!) of Fmin7:
Fm9
F♯
F♯5
F♯m
F♯m7
F♯m11
F♯sus4
G
Noten: G, B, D.
Gsus2
Gsus4
G5
G6
G7
G7sus4
GM7
Dit is een 'gewone G', maar met een groot septiem (?) - major seventh
Gmadd11
Dit is een 'gewone G', maar met een kleine undecime (minor eleventh)