Akkoorden - Overzicht: verschil tussen versies

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(242 tussenliggende versies door dezelfde gebruiker niet weergegeven)
Regel 1: Regel 1:
[[file:20140101-0126.png|thumb|Most used chords on ukelele]]
[[file:20140101-0126.png|thumb|Most used chords on ukelele]]
''' Sorteervolgorde - Voorbeeld '''
<pre>
A
A - Alfabetisch
Am
Am - Alfabetisch
A#
</pre>


''' Bronnen '''
''' Bronnen '''


* http://jguitar.com/chordsearch
* Gitaar: http://jguitar.com/chordsearch
* http://ukulele-chords.com/
* Mandoline: https://simplymandolin.com/open-mandolin-chords
* Ukulele: http://ukulele-chords.com
* Piano: https://www.pianochord.org


== A♭ ==
== A♭ ==
Regel 31: Regel 23:


== A ==
== A ==
Noten A major: A, C#, E


{|
{|
|[[File:A.gif|thumb|''A'' or ''A major'' chord]]
|[[File:A.gif|thumb|A-majeur op gitaar zonder barré. Noten A-majeur: A, C#, E. Gespeelde noten: X, A, E, A, C#, E]]
|[[File:A(2).gif|thumb|A: Shifting E-form]]
|[[File:A(2).gif|thumb|Gitaar: A-majeur: E-vorm met barré op 5]]
|[[file:A-majeur-piano.png|thumb|A]]
|[[File:A-2020032.png|thumb|Gitaar: A-majeur met E-vorm en twee extra open snaren ]]
|[[file:20140101-0242.png|thumb|A]]
|}
|}
{|
{|
|[[File:Asus2.gif|thumb|Asus2: [[REM - Try not to Breathe]]]]
|[[file:A-majeur-piano.png|thumb|A-major on piano]]
|[[File:Asus4.gif|thumb|Asus4: [[The Kinks - Lola]], [[The Church - Under the Milky Way]]]]
|[[file:20140101-0242.png|thumb|A-major on ukulele]]
|}
{|
|[[file:A-majeur-mandoline-00.png|thumb|A-majeur op mandoline]]
|[[file:A-majeur-mandoline-01.png|thumb|A-majeur op mandoline]]
|[[file:A-majeur-mandoline-02.png|thumb|A-majeur op mandoline]]
|}
|}
== A/C# ==
{|
{|
|[[File:A-Major-Csharp-x,4,2,2,2,5.png|thumb|A/C# - The last string is often dropped]]
|[[File:A-Major-Csharp-x,4,2,2,2,5.png|thumb|A/C# - The last string is often dropped]]
|}
== A/D ==
{|
|[[File:A-Major-D-x,x,0,2,2,0.png|thumb|Guitar: A/D]]
|}
== A/E ==
{|
|[[File:A-over-E.png|thumb]]
|[[File:A-over-E.png|thumb]]
|}
== Asus2 ==
{|
|[[File:Asus2.gif|thumb|Asus2: [[REM - Try not to Breathe]]]]
|}
== Asus4 ==
Notes:
* A major: A, C#, E
* Asus4: A, D, E - The perfect third becomes a fourth
{|
|[[File:Asus4.gif|thumb|Asus4 on gitar. Notes: A, D, E. Played notes: X, A, E, A, D, E]]
|}
<pre>
Asus4 on mandoline
  ----------------
E O|
A O|
D O|
G O|-G#-|-A--|
  ----------------
  |  1 |  2 |  3 |
</pre>
== Aadd9add13/E ==
{|
|[[File:Aadd9add13-over-3-gitaar.png|thumb|Aadd9add13/E - Gitaar - A over E, met toegevoegde none en toegevoegde tredecime - Octaaf-overstijgend akkoord?]]
|}
|}


Regel 50: Regel 94:


{|
{|
|[[File:A5.gif|thumb|A5-Fret 5: [[REM - Low]]]]
|[[File:A5.gif|thumb|A5 Guitar - Fret 5]]
|[[file:20140101-0243.png|thumb|A5]]
|[[file:20140101-0243.png|thumb|A5 - Ukulele]]
|}
 
== A6sus2 ==
 
{|
|[[File:a6sus2-gitaar-01.png|thumb|A6sus2 - Gitaar (1)]]
|[[File:a6sus2-gitaar-02.png|thumb|A6sus2 - Gitaar (2)]]
|[[File:a6sus2-gitaar-03.png|thumb|A6sus2 - Gitaar (3)]]
|}
{|
|[[File:a6sus2-gitaar-04.png|thumb|A6sus2 - Gitaar (4)]]
|[[File:a6sus2-gitaar-05.png|thumb|A6sus2 - Gitaar (5)]]
|[[File:a6sus2-gitaar-06.png|thumb|A6sus2 - Gitaar (6)]]
|}
|}


Regel 58: Regel 115:
{|
{|
|[[File:A7-01.png|thumb|A7]]
|[[File:A7-01.png|thumb|A7]]
|[[File:A7.gif|thumb|A7: [[My Bonnie lies over the Ocean]]]]
|[[File:A7.gif|thumb|A7]]
|[[file:A7-piano.png|thumb|A7]]
|[[file:A7-piano.png|thumb|A7]]
|[[file:20140102-2358.png|thumb|A7]]
|[[file:20140102-2358.png|thumb|A7]]
Regel 73: Regel 130:
|[[File:A7sus4(2).gif|thumb|A7sus4 (2)]]
|[[File:A7sus4(2).gif|thumb|A7sus4 (2)]]
|[[File:A-7th_Suspended_4th-A-x,0,2,0,3,3.png|thumb|A7sus4 (3) - [[Pink Floyd - Wish you were Here]] ]]
|[[File:A-7th_Suspended_4th-A-x,0,2,0,3,3.png|thumb|A7sus4 (3) - [[Pink Floyd - Wish you were Here]] ]]
|}
== A9 ==
{|
|[[File:A9-01.png|thumb| Guitar: A9 (1)]]
|[[File:A9-02.png|thumb| Guitar: A9 (2): E-vorm met barré op 5. [[Pearl Jam - Black]]]]
|[[File:A9-03.png|thumb| Guitar: A9 (3)]]
|}
{|
|[[File:A9-04.png|thumb| Guitar: A9 (4)]]
|[[File:A9-05.png|thumb| Guitar: A9 (5)]]
|[[File:A9-06.png|thumb| Guitar: A9 (6)]]
|}
|}


Regel 78: Regel 148:


{|
{|
|[[File:Am.png|thumb]]
|[[File:Am.png|thumb| Am - Gitaar]]
|[[file:20140101-0229.png|thumb|Am]]
|[[File:Am-piano.png|thumb| Am - Piano]]
|[[File:Am-over-g.png|thumb|Am/G]]
|[[file:20140101-0229.png|thumb|Am - Ukulele]]
|}
{|
|[[File:Am-mandolin-01.png|thumb| Am - Mandolin]]
|[[File:Am-mandolin.png|thumb| Am - Mandolin]]
|[[File:Am-mandolin-02.png|thumb| Am - Mandolin]]
|}
 
== Am/G ==
{|
|[[File:Am-over-g.png|thumb|Am/G - Guitar]]
|}
 
== Am6 ==
 
{|
|[[File:Am6.png|thumb|Am6]]
|[[File:Am6.png|thumb|Am6]]
|}
|}
Regel 101: Regel 186:


{|
{|
||[[File:A-Kruis.gif|thumb|A♯: [[Jimmy Hendrix - All Along the Watchtower]]]]
||[[File:A-Kruis.gif|thumb|A♯ - Gitaar]]
||[[File:A-Kruis-2.gif|thumb|A♯ (2): [[Jimmy Hendrix - All Along the Watchtower]]]]
||[[File:A-Kruis-2.gif|thumb|A♯ - Gitaar]]
|[[file:20140101-0050.png|thumb|A#]]
|}
|[[file:Asharp7-piano.png|thumb|A♯7]]
{|
|[[file:20140101-0050.png|thumb|A# - Ukulele]]
|[[file:Asharp7-piano.png|thumb|A♯7 - Piano]]
|}
 
== A♯7 ==
 
{|
||[[File:Ais7.png|thumb|A♯7 - Gitaar]]
|}
 
== A♯/C ==
 
{|
||[[File:Ais-over-c-gitaar-01.png|thumb|A♯/C - Gitaar]]
||[[File:Ais-over-c-gitaar-02.png|thumb|A♯/C - Gitaar]]
|}
 
== A♯7sus4 ==
 
{|
||[[File:Ais7-sus4-gitaar-01.png|thumb|A♯7sus4 - Gitaar]]
||[[File:Ais7-sus4-gitaar-02.png|thumb|A♯7sus4 - Gitaar]]
||[[File:Ais7-sus4-gitaar-03.png|thumb|A♯7sus4 - Gitaar]]
|}
 
== A♯7/D ==
 
{|
||[[File:Ais7-over-d-gitaar-01.png|thumb|A♯7/D - Gitaar]]
||[[File:Ais7-over-d-gitaar-02.png|thumb|A♯7/D - Gitaar]]
|}
|}


Regel 112: Regel 227:
|[[File:Bb.gif|thumb|B♭=A♯: [[Stef Bos - Wodka]], [[Triggerfinger - I Follow Rivers]]]]
|[[File:Bb.gif|thumb|B♭=A♯: [[Stef Bos - Wodka]], [[Triggerfinger - I Follow Rivers]]]]
|[[File:Bb(2).gif|thumb|B♭=A♯: Vaak gemakkelijker: Een doorgeschoven F]]
|[[File:Bb(2).gif|thumb|B♭=A♯: Vaak gemakkelijker: Een doorgeschoven F]]
|[[File:Bb5-Fret3.gif|thumb|Open B♭ at Fret 3: [[U2 - One Tree Hill]]]]
|}
|}
== B♭5 ==
{|
|[[File:Bb5-Fret3.gif|thumb|Open B♭5 at Fret 3: [[U2 - One Tree Hill]]]]
|}
== B♭7 ==
{|
{|
|[[File:Bb7-1.png|thumb|B♭7]]
|[[File:Bb7-1.png|thumb|B♭7]]
|[[File:Bb7-2.png|thumb|B♭7]]
|[[File:Bb7-2.png|thumb|B♭7]]
|}
== B♭9 ==
{|
|[[File:Bb9.png|thumb|Bb9]]
|[[File:Bb9.png|thumb|Bb9]]
|}
|}
== B♭m ==
{|
{|
|[[File:Bbm-1.png|thumb|B♭m]]
|[[File:Bbm-1.png|thumb|B♭m]]
Regel 151: Regel 278:
|[[File:B7-02.png|thumb|B7]]
|[[File:B7-02.png|thumb|B7]]
|[[File:B7-03.png|thumb|B7]]
|[[File:B7-03.png|thumb|B7]]
|}
{|
|[[File:B7-04.png|thumb|B7]]
|[[File:B7-04.png|thumb|B7]]
|[[File:B7-piano.png|thumb|B7 - piano]]
|[[File:B7sus4.png|thumb|B7sus4]]
|}
|}
== BMaj7 ==
{|
{|
|[[File:B7sus4.png|thumb|B7sus4]]
|[[file:BMaj7-01.png|thumb|BMaj7]]
|[[file:BMaj7-02.png|thumb|BMaj7]]
|[[file:BMaj7-03.png|thumb|BMaj7]]
|}
|}


Regel 160: Regel 296:


{|
{|
|[[file:B-mineur-piano.jpg|thumb|Bm]]
|[[file:Bm-gitaar-1.png|thumb|Bm - Am-vorm]]
|[[file:Bm-gitaar-2.png|thumb|Bm - F-vorm]]
|[[file:B-mineur-piano.jpg|thumb|Bm - Piano]]
|}
{|
|[[file:B-mineur-ukulele.png|thumb|Bm - Ukulele]]
|[[file:B-mineur-ukulele.png|thumb|Bm - Ukulele]]
|[[file:B-mineur-over-a-gitaar.png|thumb|Bm/A - Gitaar]]
|}
|}


Regel 167: Regel 308:


{|
{|
|[[File:Bm7-01.png|thumb|Bm7 (1) - Meest gebruikelijke variant]]
|[[File:Bm7-03.png|thumb|Bm7 - Gitaar - Am7-vorm]]
|[[File:Bm7-02.png|thumb|Bm7 (2)]]
|[[File:Bm7-01.png|thumb|Bm7 - Gitaar - Meest gebruikelijke variant?]]
|[[File:Bm7-03.png|thumb|Bm7 (3) - Deze vind ik het meest logisch: Een opgeschoven Am7]]
|[[File:Bm7-02.png|thumb|Bm7 - Gitaar]]
|[[File:Bm7-04.png|thumb|Bm7 (4) - Opgeschoven Fm7]]
|[[File:Bm7-04.png|thumb|Bm7 - Gitaar- Em7-vorm]]
|}
|}


Regel 184: Regel 325:
== C ==
== C ==


Noten: C, E, G
{|
|[[File:C.png|thumb|C-majeurakkoord op gitaar, "C-shape"]]
|[[File:C-photo.jpg|thumb|C-majeurakkoord op gitaar, "C-shape" - Foto]]
|[[File:C-Major-C-8,10,10,9,8,8.png|thumb|C-major chord on guitar: E-shape with bar on 8]]
|[[File:C-Major-shifted-A.png|thumb|C-major chord on guitar: A-shape with bar on 3]]
|}
{|
|[[file:C-majeur.gif|thumb|C major chord on piano]]
|[[file:C-majeur-mandoline-01.png|thumb|C-major chord on mandolin (1). Notes per string: G, E, C & E. The last string is optional]]
|[[file:C-majeur-mandoline-02.png|thumb|C-major chord on mandolin (2)]]
|}
{|
|[[file:20140101-0056.png|thumb|C-major chord on Ukulele]]
|[[file:20180908-1619.png|thumb|C-major chord on Ukulele (2)]]
|[[file:20180908-1620.png|thumb|C-major chord on Ukulele (3)]]
|}
{|
|[[File:Cadd9.gif|thumb|Cadd9 chord on guitar]]
|[[File:Csus4.gif|thumb|Csus4 chord on guitar: [[Alt-J - Taro]]]]
|[[file:20140102-2225.png|thumb|Csus4 chord on guitar]]
|}
== C5 ==
A C5 chord, or ''power chord'' consists of only the root and a ''fifth'' (''reine kwint''), which is 7 half-steps above the root: ''C'' & ''G''
{|
{|
|[[File:C.png|thumb|Gewoon ''C'' of ''C-majeur'']]
|
|[[File:C-Major-C-8,10,10,9,8,8.png|thumb|Doorgeschoven F als C. Soms precies wat je nodig hebt, bv. hier: [[Alan Parsons Project - Old and Wise]]]]
|[[File:C5.gif|thumb|C5 - guitar]]
|[[File:C-Major-shifted-A.png|thumb|Barred A as C: Shift 3 frets]]
|[[File:C5-fret8.png|thumb|C5 - Guitar - Starting at the low E-string]]
|[[File:C5-fret3.png|thumb|C5 - Guitar - Starting at the A-string]]
|[[File:C5-piano.png|thumb|C5 - Piano]]
|}
|}
== C5/G ==
{|
{|
|[[file:C-majeur.gif|thumb|C]]
|[[File:C5-over-g-01.png|thumb|Gitaar: C5/G]]
|[[file:20140101-0056.png|thumb|C - Ukulele]]
|[[File:C5-over-g-02.png|thumb|Gitaar: C5/G]]
|[[File:Cmaj7.gif|thumb|Cmaj7: [[4 Non Blondes - Drifting]], [[Melanie Safka - Beautiful People]], [[REM - Country Feedback]], [[REM - Low]]]]
|[[File:C5-over-g-03.png|thumb|Gitaar: C5/G]]
|[[file:20140102-2247.png|thumb|Cmaj7]]
|}
|}
{|
{|
|[[File:C-over-B-01.png|thumb|C/B]]
|[[File:C5-over-g-04.png|thumb|Gitaar: C5/G]]
|[[File:C-over-B-02.png|thumb|C/B]]
|[[File:C5-over-g-05.png|thumb|Gitaar: C5/G]]
|[[File:C-over-G.gif|thumb|C/G]]
|[[File:C5-over-g-06.png|thumb|Gitaar: C5/G]]
|}
|}
== C7 ==
{|
{|
|[[File:Cadd9.gif|thumb|Cadd9]]
|[[File:C7-01.png|thumb|C7 (1)]]
|[[File:Csus4.gif|thumb|Csus4: [[Alt-J - Taro]]]]
|[[File:C7-02.png|thumb|C7 (2)]]
|[[file:20140102-2225.png|thumb|Csus4]]
|[[File:C5.gif|thumb|Open C5 at Fret 5: [[U2 - One Tree Hill]]]]
|}
|}


== C7#9 ==
{|
|[[File:C7sharp9-01.png|thumb|C7#9]]
|[[File:C7sharp9-02.png|thumb|C7#9]]
|[[File:C7sharp9-03.png|thumb|C7#9]]
|}
{|
{|
|[[File:C7-Fret-3.gif|thumb|C7 at Fret 3: [[U2 - One Tree Hill]]]]
|[[File:C7sharp9-04.png|thumb|C7#9]]
|[[File:C7sharp9-05.png|thumb|C7#9]]
|[[File:C7sharp9-06.png|thumb|C7#9]]
|}
|}


Regel 224: Regel 406:
* http://www.scenicnewengland.net/guitar/chords/number.htm
* http://www.scenicnewengland.net/guitar/chords/number.htm
* http://www.ultimate-guitar.com/lessons/chords/basic_chord_theory_iii.html
* http://www.ultimate-guitar.com/lessons/chords/basic_chord_theory_iii.html
== C(maj7) ==
''C(maj7)'', ''CM7'', ''C Major seventh'' oftewel ''C majeur-septiem-akkoord'' is een C-majeur akkoord met een groot septiem.
Noten: <code>C, E, G, B</code>:
* C: Basis
* E: Grote terts (dit maakt het een majeur-akkoord)
* G: Reine kwint
* B: Groot septiem: Van C naar B is een interval van 11 semitonen ([[Intervallen#Overzicht]])
{|
|[[File:Cmaj7.gif|thumb|Cmaj7: [[4 Non Blondes - Drifting]], [[Melanie Safka - Beautiful People]], [[REM - Country Feedback]], [[REM - Low]]]]
|[[file:20140102-2247.png|thumb|Cmaj7 - Ukulele]]
|[[file:20200215-1325.png|thumb|Cmaj7 - Piano]]
|}


== Cm ==
== Cm ==
Noten:
<pre>
C-majeur  C-mineur
--------  --------
  C          C
  E          D#
  G          G
</pre>


{|
{|
|[[File:Cm.gif|thumb|Cm: [[Alt-J - Taro]]]]
|[[File:Cm.gif|thumb|Cm - Guitaar: [[Alt-J - Taro]]]]
|[[file:C-mineur.png|thumb|Cm]]
|[[file:C-mineur.png|thumb|Cm - Piano]]
|[[file:C-mineur-mandoline-01.png|thumb|Cm - Mandoline: Zelfde vorm als C-majeur, maar met verlaagde D-snaar en zonder E-snaar (want die zou ook verlaagd moeten worden)]]
|}
|}


Regel 244: Regel 454:
|[[File:Cm7-01.png|thumb|Cm7]]
|[[File:Cm7-01.png|thumb|Cm7]]
|[[File:Cm7-02.png|thumb|Cm7 - Moeilijker]]
|[[File:Cm7-02.png|thumb|Cm7 - Moeilijker]]
|}
== C/B ==
{|
|[[File:C-over-B-01.png|thumb|C/B]]
|[[File:C-over-B-02.png|thumb|C/B]]
|}
== C/G ==
{|
|[[File:C-over-G.gif|thumb|C/G]]
|}
|}


Regel 252: Regel 475:
|[[File:Csharpm-2.png|thumb|C♯ - Doorgeschoven A]]
|[[File:Csharpm-2.png|thumb|C♯ - Doorgeschoven A]]
|[[File:Csharp-3.png|thumb|C♯ - Doorgeschoven F]]
|[[File:Csharp-3.png|thumb|C♯ - Doorgeschoven F]]
|[[File:Csharp7-Fret-4.gif|thumb|C♯7 on fret 4: [[Jacques Brel - Port d'Amsterdam]]]]
|}
 
== C♯5 ==
 
{|
|[[File:Csharp5-1.png|thumb|C♯5 (guitaar) - A-vorm met barré op 4]]
|[[File:Csharp5-2.png|thumb|C♯5 (guitaar) - Powercord (slechts twee noten)]]
|[[File:Csharp5-3.png|thumb|C♯5 (guitaar) - F-vorm met barré op 9]]
|}
 
{|
|[[File:Csharp5-4.png|thumb|C♯5 (guitaar)]]
|[[File:Csharp5-5.png|thumb|C♯5 (guitaar)]]
|}
 
== C♯7 ==
 
{|
|[[File:Csharp7-Fret-4.gif|thumb|C♯7 (1)]]
|[[File:Csharp7-(2).png|thumb|C♯7 (2)]]
|}
|}


Regel 258: Regel 500:


{|
{|
|[[File:Csharpm-Fret-4.gif|thumb|C♯m - Doorgeschoven Am (fret 4)]]
|[[File:Csharpm-Fret-4.gif|thumb|C♯m - Gitaar: Am-shape (fret 4)]]
|[[File:Csharpm-Fret-9.png|thumb|C♯m - Doorgeschorven Fm (fret 9)]]
|[[File:Csharpm-Fret-9.png|thumb|C♯m - Gitaar: Fm-shape (fret 9)]]
|[[File:Csharpm-piano.png|thumb|C♯m - Piano]]
|}
 
== C♯m7 ==
 
{|
|[[File:Csharpm7-01.png|thumb|C♯m7]]
|[[File:Csharpm7-01.png|thumb|C♯m7]]
|[[File:Csharpm7-02.png|thumb|C♯m7]]
|[[File:Csharpm7-02.png|thumb|C♯m7]]
Regel 279: Regel 527:


== D ==
== D ==
Noten:
<pre>
    D-majeur          D-mineur
-----------------  ----------------
* Basis:      D    Basis:        D
* Grote terts: F#  Kleine terts: F
* Reine kwint: A  Reine kwint:  A
</pre>
{|
|[[File:D.png|thumb|D - Gitaar]]
|[[File:D-handzetting.jpg|thumb|D - Gitaar: Hoe je 'm vasthoudt]]
|}
{|
|[[file:D-majeur.gif|thumb|D - Piano]]
|[[file:20140101-0111.png|thumb|D - Ukulele]]
|}
{|
|[[file:g-majeur-mandoline.png|thumb|D - Mandoline. Noten per snaar: A, D, A, F#. De eerste snaar is optioneel]]
|[[file:d-majeur-mandoline-02.png|thumb|D - Mandoline. Noten per snaar: D, A, F#. De eerste snaar is weggelaten]]
|}
''' Ukelele '''
<pre>
A O |
E  |-F--|-F#-|
C  |-C#-|-D--|
G X |
    |  1 |  2 | *3 |  4 | *5 |  6 | *7 |  8 | *9 | 10 | 11 |*12*| 13 | 14 |
</pre>
== Dsus2 ==
{|
|[[File:Dsus2.gif|thumb|Dsus2. Basistoon: <code>D</code>. Grote terts: <code>F#</code>. Kleine terts vanaf daar: <code>A</code> Gespeelde noten:<code>D, A, D, E</code>]]
|[[file:20140101-0107.png|thumb|Dsus2]]
|}
== Dsus4 ==
{|
|[[File:Dsus4.gif|thumb|Dsus4]]
|}
== D5 ==


{|
{|
|[[File:D.png|thumb|D-akkoord. Basistoon: <code>D</code>. Grote terts: <code>F#</code>. Kleine terts vanaf daar: <code>A</code> Gespeelde noten:<code>D, A, D, F#</code>. Deze komen allemaal voor in de D-majeur-toonladder]]
|[[File:D5-Fret5.png|thumb|D5 at Fret 5]]
|[[file:D-majeur.gif|thumb|D]]
|[[file:20140101-0111.png|thumb|D]]
|[[File:D5-Fret7.gif|thumb|D5 at Fret 7]]
|[[File:D5-Fret7.gif|thumb|D5 at Fret 7]]
|}
|}
== D6 ==
{|
{|
|[[File:D6.png|thumb|D6]]
|[[File:D6.png|thumb|D6]]
|}
== D7 ==
{|
|[[File:D7.gif|thumb|D7-akkoord: '''Basistoon:''' <code>D</code>. '''Grote terts:''' <code>F#</code>. '''Kleine terts:''' vanaf daar: <code>A</code>. '''Gespeelde noten:''' <code>D, A, B#, F#</code>. Hiervan hoort ''B#'' niet in de D-majeurtoonladder]]
|[[File:D7.gif|thumb|D7-akkoord: '''Basistoon:''' <code>D</code>. '''Grote terts:''' <code>F#</code>. '''Kleine terts:''' vanaf daar: <code>A</code>. '''Gespeelde noten:''' <code>D, A, B#, F#</code>. Hiervan hoort ''B#'' niet in de D-majeurtoonladder]]
|}
== D9 ==
{|
|[[File:D9.gif|thumb|D9]]
|[[File:D9.gif|thumb|D9]]
|}
|}
== Dadd9 ==
{|
{|
|[[File:D-Major Add 9th-D-x,5,4,2,5,2.png|thumb|Dadd9]]
|[[File:D-Major Add 9th-D-x,5,4,2,5,2.png|thumb|Dadd9]]
|[[File:Dsus2.gif|thumb|Dsus2. Basistoon: <code>D</code>. Grote terts: <code>F#</code>. Kleine terts vanaf daar: <code>A</code> Gespeelde noten:<code>D, A, D, E</code>]]
|}
|[[file:20140101-0107.png|thumb|Dsus2]]
 
|[[File:Dsus4.gif|thumb|Dsus4]]
== Dadd9/F# ==
 
{|
|[[File:Dadd9-over-fsharp-01.png|thumb|Dadd9/F# - Gitaar (1)]]
|[[File:Dadd9-over-fsharp-02.png|thumb|Dadd9/F# - Gitaar (2)]]
|[[File:Dadd9-over-fsharp-03.png|thumb|Dadd9/F# - Gitaar (3)]]
|[[File:Dadd9-over-fsharp-04.png|thumb|Dadd9/F# - Gitaar (4)]]
|}
|}


== Dm ==
== Dm ==


Noten:
<pre>
    D-majeur          D-mineur
-----------------  ----------------
* Basis:      D    Basis:        D
* Grote terts: F#  Kleine terts: F
* Reine kwint: A    Reine kwint:  A
</pre>
{|
|[[File:Dm-gewoon.jpg|thumb|Dm - Gitaar]]
|[[File:Dm-barred.png|thumb|Dm - Gitaar: Verschoven Am-shape]]
|}
{|
{|
|[[File:Dm-barred.png|thumb|Dm - Als barré-akkoord: Verschoven Am]]
|[[file:D-mineur.gif|thumb|Dm - Piano]]
|[[file:D-mineur.gif|thumb|Dm]]
|[[file:20140101-0106.png|thumb|Dm - Ukulele]]
|[[file:20140101-0106.png|thumb|Dm]]
|}
{|
|[[file:Dm-mandoline-01.png|thumb|Dm - Mandoline: De noten van het akkoord zijn <code>D, F, A</code> en de noten per snaar hier: <code>x, D, A, F</code> ]]
|[[file:Dm-mandoline.png|thumb|Dm - Mandoline: De eerste snaar is overbodig (extra <code>A</code>)]]
|}
|}


Regel 309: Regel 644:


{|
{|
|[[File:Dm7.png|thumb|Dm7]]
|[[File:Dm7.png|thumb|Guitar: Dm7]]
|[[file:20140103-1950.png|thumb|Dm7]]
|[[file:20140103-1950.png|thumb|Ukulele: Dm7]]
|}
 
== Dm7b5 ==
 
{|
|[[File:Dm7b5.png|thumb|Dm7b5 - Gitaar]]
|}
 
== D/B ==
 
{|
|[[File:d-over-b-01.png|thumb|D/B on Guitar: D-shape with additional B (1)]]
|[[File:d-over-b-02.png|thumb|D/B on Guitar: D-shape with additional B (2)]]
|}
 
 
== D/C# ==
 
{|
|[[File:d-over-cis-01.png|thumb|D/C# on Guitar: D-shape with additional C#]]
|[[File:d-over-cis-02.png|thumb|D/C# on Guitar: A-shape with additional C#]]
|}
 
== D/F♯ ==
 
{|
|[[File:D-over-f-kruis.gif|thumb|D/F♯: D chord with a F♯ bass line. De bass line can be done with the thumb [http://www.youtube.com/watch?v=X91GHpMEsX0] or pointing finger [http://www.youtube.com/watch?v=GZ05gqwxJ4w]. [[4 Non Blondes - Drifting]] ]]
|[[File:D-over-f-kruis-piano.jpg|thumb|D/F♯ - Piano]]
|[[File:Dsus4overfkruis.gif|thumb|Dsus4/F♯]]
|}
|}


Regel 316: Regel 680:


{|
{|
|[[File:Dsharp1.png|thumb|D♯]]
|[[File:Dsharp1.png|thumb|D♯ - Gitaar: D-vorm 1 fret doorgeschoven]]
|[[File:Dshar2.png|thumb|D♯]]
|[[File:Dshar2.png|thumb|D♯ - Gitaar: C-vorm 3 frets doorgeschoven]]
|[[File:Dshar3.png|thumb|D♯]]
|[[File:Dshar3.png|thumb|D♯ - Gitaar: A-vorm 6 frets doorgeschoven]]
|}
|}


{|
{|
|[[File:Dsharp4.png|thumb|D♯]]
|[[File:Dsharp4.png|thumb|D♯ -Gitaar: E-vorm 11 frets doorgeschoven]]
|[[File:Dsharp5.png|thumb|D♯]]
|[[File:Dsharp5.png|thumb|D♯]]
|[[File:Dsharp6.png|thumb|D♯]]
|[[File:Dsharp6.png|thumb|D♯]]
|}
== D♯/G ==
{|
|[[File:Dsharp-over-g-01.png|thumb|D♯/G - Gitaar]]
|[[File:Dsharp-over-g-02.png|thumb|D♯/G - Gitaar]]
|[[File:Dsharp-over-g-03.png|thumb|D♯/G - Gitaar]]
|}
== D♯5 ==
{|
|[[File:Dkruis5.png|thumb|D♯5 - Gitaar]]
|}
|}


Regel 344: Regel 722:
|}
|}


== D/F♯ ==
== D♯m7 ==


{|
{|
|[[File:D-over-f-kruis.gif|thumb|D/F♯: D chord with a F♯ bass line. De bass line can be done with the thumb [http://www.youtube.com/watch?v=X91GHpMEsX0] or pointing finger [http://www.youtube.com/watch?v=GZ05gqwxJ4w]. [[4 Non Blondes - Drifting]] ]]
|[[File:Dsharpm7-1.png|thumb|D♯m7 - Gitaar - Am7-vorm]]
|[[File:Dsus4overfkruis.gif|thumb|Dsus4/F♯]]
|[[File:Dsharpm7-2.png|thumb|D♯m7 - Gitaar]]
|}
|}


Regel 361: Regel 739:


== E ==
== E ==
Noten:


<pre>
    E-majeur          E-mineur
-----------------  ----------------
* Basis:      E    Basis:        E
* Grote terts: G#  Kleine terts: G
* Reine kwint: B    Reine kwint:  B
</pre>
{|
|[[File:E1.png|thumb|E-majeur-akkoord (1) - gitaar. Noten E-majeur: E, G#, B. Gespeelde noten: E, B, E, G#, B, E]]
|[[File:E2.png|thumb|E-majeur-akkoord (2) - gitaar]]
|[[File:E3.png|thumb|E-majeur-akkoord (3) - gitaar]]
|}
{|
|[[File:E4.png|thumb|E-majeur-akkoord (4) - gitaar - A-vorm met barré op 7]]
|[[File:E5.png|thumb|E-majeur-akkoord (5) - gitaar]]
|[[File:E6.png|thumb|E-majeur-akkoord (6) - gitaar]]
|}
{|
{|
|[[File:E.gif|thumb|E: [[4 Non Blondes - Drifting]]]]
|[[file:E-majeur-piano.png|thumb|E-majeur-akkoord - Piano]]
|[[file:E-majeur-piano.png|thumb|E]]
|[[file:20140101-0123.png|thumb|E-majeur-akkoord - Ukulele]]
|[[file:20140101-0123.png|thumb|E]]
|}
|}
{|
{|
|[[File:E5.gif|thumb|E5: [[4 Non Blondes - Drifting]], [[REM - Low]]]]
|[[file:E-majeur-mandolin-01.png|thumb|E-majeur-akkoord - Mandoline (1)]]
|[[File:E7.gif|thumb|E7: [[Beatles - Penny Lane]], [[Jacques Brel - Port d'Amsterdam]], [[Simon & Garfunkel - Mrs. Robinson]]]]
|[[file:E-majeur-mandolin-02.png|thumb|E-majeur-akkoord - Mandoline (2)]]
|}
|}
<pre>
E-majeur op mandoline
  ----------------
E  |
A  |-A#-|-B--|
D  |-D#-|-E--|
G  |-G#-|
  ----------------
  |  1 |  2 |  3 |
</pre>
== Edim7 ==
{|
{|
|[[File:E-over-B.png|thumb]]
|[[File:E-over-F-kruis.gif|thumb|E/F♯: [[4 Non Blondes - Drifting]]]]
|[[File:E-dim-7.png|thumb|E diminished 7]]
|[[File:E-dim-7.png|thumb|E diminished 7]]
|}
== E(maj7) ==
''Emaj7'', ''E-major7'', ''E(maj7)'' of ''E groot septiem'', is een E majeur-akkoord met een majeur-septiem. Noten: <code>E, G#, B, D#</code>:
* E: Basis
* G#: Grote terts - Dit maakt het een majeurakkoord
* B: Reine kwint
* D#: Groot sepiem - 11 seminoten.
{|
|[[File:Em7(2).gif|thumb|Emaj7]]
|[[File:Em7.gif|thumb|Emaj7]]
|[[File:Em7-over-b.png|thumb|Emaj7/B]]
|[[File:Emaj7-piano.png|thumb|Emaj7 - Piano]]
|}
== E5 ==
{|
|[[File:E5-two-fingers.png|thumb|E5 - Guitar - Only two strings]]
|[[File:E5.gif|thumb|E5 - Guitar - Three strings]]
|[[File:E5-piano.png|thumb|E5 - Piano]]
|}
|}


Regel 383: Regel 817:
|[[File:E7-2.png|thumb|E7]]
|[[File:E7-2.png|thumb|E7]]
|[[File:E7-3.png|thumb|E7]]
|[[File:E7-3.png|thumb|E7]]
|}
{|
|[[File:E7-4.png|thumb|E7]]
|[[File:E7-4.png|thumb|E7]]
|[[File:E7-over-gis-gitaar.png|thumb|E7/G# - Gitaar]]
|}
|}


Regel 390: Regel 827:
{|
{|
|[[File:E9-01.png|thumb|E9]]
|[[File:E9-01.png|thumb|E9]]
|}
== E/B ==
{|
|[[File:E-over-B.png|thumb]]
|}
== E/F♯ ==
{|
|[[File:E-over-F-kruis.gif|thumb|E/F♯]]
|}
|}


Regel 402: Regel 851:


{|
{|
|[[File:Em.gif|thumb|Em]]
|[[File:Em.gif|thumb|Em - Gitaar]]
|[[file:E-mineur-piano.png|thumb|Em]]
|[[File:Em-hands.jpg|thumb|Em - Gitaar: Hoe je 'm vasthoudt]]
|}
|}
{|
{|
|[[file:E-mineur-piano.png|thumb|Em - Piano]]
|[[File:Em-ukulele.png|thumb|Em - Ukulele]]
|[[File:Em-ukulele.png|thumb|Em - Ukulele]]
|[[file:Em-mandoline.png|thumb|Em - Mandoline]]
|}
== Em6 ==
{|
|[[File:Em6.gif|thumb|Em6]]
|[[File:Em6.gif|thumb|Em6]]
|}
|}


== Em7 ==
== Em9 ==


{|
{|
|[[File:Em7(2).gif|thumb|Em7]]
|[[File:Em9-gitaar-01.png|thumb|Em9 - Gitaar (1)]]
|[[File:Em7.gif|thumb|Em7]]
|[[File:Em9-gitaar-02.png|thumb|Em9 - Gitaar (2)]]
|[[File:Em7-over-b.png|thumb|Em7/B]]
|[[File:Em9-gitaar-03.png|thumb|Em9 - Gitaar (3)]]
|}
{|
|[[File:Em9-gitaar-04.png|thumb|Em9 - Gitaar (4)]]
|[[File:Em9-gitaar-05.png|thumb|Em9 - Gitaar (5)]]
|[[File:Em9-gitaar-06.png|thumb|Em9 - Gitaar (6)]]
|}
|}


Regel 422: Regel 883:
|[[File:Em-over-g-1.png|thumb|Em/G]]
|[[File:Em-over-g-1.png|thumb|Em/G]]
|[[File:Em-over-g-2.png|thumb|Em/G]]
|[[File:Em-over-g-2.png|thumb|Em/G]]
|}
{|
|[[File:Em-over-g-3.png|thumb|Em/G]]
|[[File:Em-over-g-3.png|thumb|Em/G]]
|[[File:Em-over-g-4.png|thumb|Em/G]]
|[[File:Em-over-g-4.png|thumb|Em/G]]
|}
|}


== Esus ==
== Esus2 ==


{|
{|
|[[File:Esus4-01.png|thumb]]
|[[File:Esus2-01.png|thumb| Guitar: Esus2 (1)]]
|[[File:Esus4-02.png|thumb]]
|[[File:Esus2-02.png|thumb| Guitar: Esus2 (2) - A-shape with bar at 7]]
|[[File:Esus2-03.png|thumb| Guitar: Esus2 (3)]]
|}
{|
|[[File:Esus2-04.png|thumb| Guitar: Esus2 (4)]]
|[[File:Esus2-05.png|thumb| Guitar: Esus2 (5)]]
|[[File:Esus2-06.png|thumb| Guitar: Esus2 (6)]]
|}
|}


== Esus ==
== Esus4 ==


{|
{|
Regel 441: Regel 910:


== F ==
== F ==
An ''F major chord'' consists of the following notes:
* Root: F
* Major third from the root (''grote terts'' - ''tercja wielka''): A
* Perfect fifth from the root (''reine kwint'' - ''czysty kwinta''): C
* -----
* F, A, C
As an example, these are the notes in the usual way that an F-chord is played on the guitar:
* E-string: F
* A-string: C
* D-string: F
* G-string: A
* B-string: C
* e-string: F
''' F major chord without bar? '''
Let's find an F major chord without bar, starting with the notes as they are in the default F-chord:
* The C- and F-notes are played on multiple strings, which provides us with some flexilibity to how to play it. The A-note is played on only the G-string. Let's use that as our first note
* Let's use the E- or e-string to form the ''F'' → Let's use the e-string (high sounding e, not the low-sounding)
* Let's use the B-string to form the ''C''
In total:
<pre>
e |-F--|----|----|----|----|----|----|----|----|----|----|----|----|----|
B |-C--|----|----|----|----|----|----|----|----|----|----|----|----|----|
G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----|
DX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
AX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
  |  1 |  2 | *3 |  4 | *5 |  6 | *7 |  8 | *9 | 10 | 11 |*12*| 13 | 14 |
</pre>
Alternatively (this one is a bit harder, as you have to avoid ringing strings on either side of the string that you have to touch):
<pre>
eX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
BX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----|
D |----|----|-F--|----|----|----|----|----|----|----|----|----|----|----|
A |----|----|-C--|----|----|----|----|----|----|----|----|----|----|----|
EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
  |  1 |  2 | *3 |  4 | *5 |  6 | *7 |  8 | *9 | 10 | 11 |*12*| 13 | 14 |
</pre>
And lastly, the usual way to play ''F'' without having to use a bar. In this case, the pointer finger is used as a small bar on the B- and e-string:
<pre>
e||-F--|----|----|----|----|----|----|----|----|----|----|----|----|----|
B||-C--|----|----|----|----|----|----|----|----|----|----|----|----|----|
G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----|
D |----|----|-F--|----|----|----|----|----|----|----|----|----|----|----|
A |----|----|-C--|----|----|----|----|----|----|----|----|----|----|----|
EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
  |  1 |  2 | *3 |  4 | *5 |  6 | *7 |  8 | *9 | 10 | 11 |*12*| 13 | 14 |
</pre>
{|
|[[file:F.png|thumb|F - Guitar: This is the usual way to play F, with a barred first fret]]
|[[file:20140101-0108.png|thumb|F - Ukulele]]
|[[file:F-majeur-mandoline.jpg|thumb|F - Mandoline]]
|}
== Fsus2 ==


{|
{|
|[[file:F.png|thumb|Ter referentie: Dit is ''F''!]]
|[[file:20140101-0108.png|thumb|F]]
|[[File:F5-Fret10.gif|thumb|Open F5 at Fret 10: [[U2 - One Tree Hill]]]]
|[[file:Fsus2.png|thumb|F suspended 2]]
|[[file:Fsus2.png|thumb|F suspended 2]]
|}
|}
== F/C ==
{|
{|
|[[File:F-C.gif|thumb|F/C: [[U2 - One Tree Hill]]]]
|[[File:F-C.gif|thumb|F/C: [[U2 - One Tree Hill]]]]
|}
== F/G ==
{|
|[[File:F-over-G.gif|thumb|F/G: [[REM - Perfect Circle]]]]
|[[File:F-over-G.gif|thumb|F/G: [[REM - Perfect Circle]]]]
|}
== F5 ==
{|
|[[File:F5-fret0.png|thumb|Guitar - F5 - Open strings]]
|[[File:F5-fret3.png|thumb|Guitar - F5 - Fret 3]]
|[[File:F5-fret6.png|thumb|Guitar - F5 - Fret 6]]
|}
{|
|[[File:F5-fret8.png|thumb|Guitar - F5 - Fret 8]]
|[[File:F5-Fret10.gif|thumb|Guitar - F5 - Fret 10]]
|[[File:F5-Fret13.png|thumb|Guitar - F5 - Fret 13]]
|}
|}


Regel 483: Regel 1.045:
|}
|}


== Fm7 ==
== Fsus4 ==
 
{|
|[[file:Fsus4-01-gitaar.png|thumb|Fsus4 - Gitaar]]
|[[file:Fsus4-02-gitaar.png|thumb|Fsus4 - Gitaar]]
|}
 
== F(maj7) ==


Fmaj7 <> F7!
''Fmaj7'', ''F-majeur7'', ''F(maj7)'', ''F major-seventh'' or ''F groot septiem'' is een F majeur-akkoord met een groot septiem. Noten: <code>F, A, C, E</code>:
 
* F: Basis
* A: Grote terts - Dit maakt het een majeur-akkoord
* C: Reine kwint
* E: Groot septiem - 11 seminoten.


{|
{|
|[[File:F-Maj-7.gif|thumb|Fmaj7]]
|[[File:F-Maj-7.gif|thumb|Fmaj7 - Gitaar - F-majeur 7]]
|[[File:F-Maj-7(2).gif|thumb|F maj. 7 (2)]]
|[[File:F-Maj-7(2).gif|thumb|Fmaj7 - Gitaar - F-majeur 7]]
|[[File:F-Maj-7(3).png|thumb|F maj. 7, open akkoord [http://www.youtube.com/watch?v=wZUfJx261eU YouTube, xx3210 - begint niet met een F?], [http://www.youtube.com/watch?v=71h51h1y64o]]]
|[[File:F-Maj-7(3).png|thumb|Fmaj7 - Gitaar - F-majeur 7]]
|}
{|
|[[File:F-Maj7-nieuw.png|thumb|Fmaj7 - Piano]]
|}
 
== F(maj7)♭5 ==
 
''F(maj7)♭5'', ''FM7♭5'' of ''Fmaj7b5'' bestaat uit de volgende onderdelen:
 
* F-koord (gewone F-majeur)
* Groot septiem - ''major seventh''
* ♭5 - Wat is dat ook al weer? Kleine kwint?
 
{|
|[[file:F-Major 7th Flat 5th-F-1,0,2,2,0,0.png|thumb|F(maj7)♭5 - Gitaar]]
|}
 
== F(min7) ==
 
''F(min7)'', ''Fm7'' (verwarrend!) of ''Fmin7'':
 
{|
|[[File:Fm7.png|thumb|F(min7) - Gitaar]]
|}
|}


Regel 510: Regel 1.107:


{|
{|
|[[File:Fsharp5.png|thumb|F♯5]]
|[[File:Fsharp5.png|thumb|F♯5 (gitaar): E-vorm met barré op 2]]
|[[File:Fkruis5-fret8.png|thumb|F♯5 (gitaar): A-vorm met barré op 8]]
|}
|}


Regel 517: Regel 1.115:
{|
{|
|[[File:Fsharpm.png|thumb|F♯m[http://jguitar.com/chordsearch?chordsearch=f%23m7] [[Jacques Brel - Port d'Amsterdam]]]]
|[[File:Fsharpm.png|thumb|F♯m[http://jguitar.com/chordsearch?chordsearch=f%23m7] [[Jacques Brel - Port d'Amsterdam]]]]
|[[File:Fsharpm-piano.png|thumb|F♯m - Piano]]
|}
|}


== F♯m7 ==
== F♯m7 ==
Regel 526: Regel 1.124:
|[[File:fkruism7-2.png|thumb|F♯m7 - Ik denk dat ik deze gemakkelijker vind [http://jguitar.com/chordsearch?chordsearch=f%23m7]]]
|[[File:fkruism7-2.png|thumb|F♯m7 - Ik denk dat ik deze gemakkelijker vind [http://jguitar.com/chordsearch?chordsearch=f%23m7]]]
|[[file:FSharpm7bes5(1).png|thumb|F♯m7♭5]]
|[[file:FSharpm7bes5(1).png|thumb|F♯m7♭5]]
|}
== F♯m11 ==
{|
|[[File:Fkruismineur11-1.png|thumb|F♯m11 - Gitaar (1)]]
|[[File:Fkruismineur11-2.png|thumb|F♯m11 - Gitaar (2)]]
|[[File:Fkruismineur11-3.png|thumb|F♯m11 - Gitaar (3)]]
|}
{|
|[[File:Fkruismineur11-4.png|thumb|F♯m11 - Gitaar (4)]]
|[[File:Fkruismineur11-5.png|thumb|F♯m11 - Gitaar (5)]]
|[[File:Fkruismineur11-6.png|thumb|F♯m11 - Gitaar (6)]]
|}
== F♯sus4 ==
{|
|[[File:Fsharpsus4-1.png|thumb|F♯sus4 (1) - Gitaar]]
|[[File:Fsharpsus4-2.png|thumb|F♯sus4 (2) - Gitaar]]
|[[File:Fsharpsus4-3.png|thumb|F♯sus4 (3) - Gitaar]]
|}
|}


== G ==
== G ==
Noten: G, B, D.


{|
{|
|[[File:G-shifted-f.png|thumb| G as F-chord, shifted over two frets]]
|[[File:G-01.png|thumb| G-majeur - Gitaar (1)]]
|[[file:20140101-2253.png|thumb|G]]
|[[File:G-02.png|thumb| G-majeur - Gitaar (2)]]
|[[File:G-over-D.png|thumb]]
|[[File:G-zelf-afbeelding-gemaakt.png|thumb| G-majeur (3): Dit is een iets exotischer variant (zo exotisch, dat ik de afbeelding zelf heb gemaakt): Gebruik je wijsvinger voor de lage E-snaar. Demp daarbij de A-snaar]]
|[[File:GoverFsharp.gif|thumb|G/F♯: [[REM - Driver 8]]]]
|}
{|
|[[File:G-shifted-f.png|thumb|G-majeur - Gitaar (4): F-shape, shifted over two frets]]
|[[File:G-04.png|thumb| G-majeur - Gitaar (5)]]
|[[File:G-05.png|thumb| G-majeur - Gitaar (6)]]
|[[File:G-06.png|thumb| G-majeur - Gitaar (7)]]
|}
{|
|[[file:g-major-chord-mandolin.png|thumb|G-majeur - Mandoline]]
|[[file:20140101-2253.png|thumb|G-majeur - Ukulele]]
||[[File:G-piano.png|thumb|G-majeur - Piano]]
|}
 
== Gsus2 ==
 
{|
|[[File:gsus2-01.png|thumb|Gsus2 op gitaar (1)]]
|[[File:gsus2-02.png|thumb|Gsus2 op gitaar (2)]]
|}
|}


Regel 549: Regel 1.187:
|[[File:gsus4-06.png|thumb|Gsus4]]
|[[File:gsus4-06.png|thumb|Gsus4]]
|}
|}
== G5 ==
== G5 ==
{|
{|
|[[File:G5.gif|thumb|G5: [[REM - Bang and Blame]]]]
|[[File:G5.gif|thumb|G5]]
|[[File:G5-lower-strings.gif|thumb|G5 (lower strings): [[REM - Low]]]]
|[[File:G5-lower-strings.gif|thumb|G5 (3-5-5)]]
|[[file:20140102-2246.png|thumb|G5]]
|[[file:20140102-2246.png|thumb|G5]]
|}
|}
Regel 569: Regel 1.208:


{|
{|
|[[File:G7.png|thumb|G7]]
|[[File:G7.png|thumb|G7 - Gitaar]]
|[[file:20140103-1952.png|thumb|G7]]
|[[file:20140103-1952.png|thumb|G7 - Ukulele]]
|[[File:G7-mandoline.png|thumb|G7 - Mandoline]]
|}
|}


Regel 576: Regel 1.216:


{|
{|
|[[File:G-7th_Suspended_4th-G-3,3,0,0,1,1.png|thumb|G7sus4 (1)]]
|[[File:G-7th_Suspended_4th-G-3,3,0,0,1,1.png|thumb|G7sus4 - Gitaar]]
|[[File:G-7th_Suspended_4th-G-3,3,0,0,3,1.png|thumb|G7sus4 (2)]]
|[[File:G-7th_Suspended_4th-G-3,3,0,0,3,1.png|thumb|G7sus4 - Gitaar]]
|[[File:G-7th_Suspended_4th-G-3,3,3,0,3,x.png|thumb|G7sus4 (3)]]
|[[File:G-7th_Suspended_4th-G-3,3,3,0,3,x.png|thumb|G7sus4 - Gitaar]]
|}
 
== GM7 ==
 
Dit is een 'gewone G', maar met een groot septiem (?) - ''major seventh''
 
{|
|[[file:GM7.png|thumb|GM7 (Gmaj7)]]
|}
 
== Gmadd11 ==
 
Dit is een 'gewone G', maar met een ''kleine undecime'' (''minor eleventh'')
 
{|
|[[file:gmadd11-01.png|thumb|Gmadd11 - Gitaar]]
|[[file:gmadd11-02.png|thumb|Gmadd11 - Gitaar]]
|[[file:gmadd11-03.png|thumb|Gmadd11 - Gitaar]]
|}
 
== G/B ==
 
{|
|[[file:g-over-b-01.png|thumb|G/B (1)]]
|[[file:g-over-b-02.png|thumb|G/B (2)]]
|[[file:g-over-b-03.png|thumb|G/B (3)]]
|}
 
{|
|[[file:g-over-b-04.png|thumb|G/B (4)]]
|[[file:g-over-b-05.png|thumb|G/B (5)]]
|[[file:g-over-b-06.png|thumb|G/B (6)]]
|}
 
== G/D ==
 
{|
|[[File:G-over-D.png|thumb]]
|}
 
== G/F# ==
 
{|
|[[File:GoverFsharp.gif|thumb|G/F♯]]
|}
|}


Regel 585: Regel 1.269:
{|
{|
|[[File:Gm.gif|thumb|Gm: [[Alt-J - Taro]]]]
|[[File:Gm.gif|thumb|Gm: [[Alt-J - Taro]]]]
|[[file:20140102-2226.png|thumb|Gm]]
|[[file:20140102-2226.png|thumb|Gm - Ukulele]]
|[[file:gm7.png|thumb|Gm7]]
|[[file:gm7.png|thumb|Gm7]]
|}
|}


== GM7 (majeur) ==
== G♯ ==


{|
{|
|[[file:GM7.png|thumb|GM7 (Gmaj7)]]
|[[File:G-Kruis.gif|thumb|G♯: [[Jimmy Hendrix - All Along the Watchtower]]]]
|[[File:GSharpm.gif|thumb|G♯m: [[The Kinks - Lola]]]]
|}
|}


== G♯ ==
== G♯5 ==


{|
{|
|[[File:G-Kruis.gif|thumb|G♯: [[Jimmy Hendrix - All Along the Watchtower]]]]
|[[File:GSharp5.png|thumb|G♯5 - Guitar]]
|[[File:GSharpm.gif|thumb|G♯m: [[The Kinks - Lola]]]]
|}
|}

Huidige versie van 8 aug 2022 om 21:17

Most used chords on ukelele

Bronnen

A♭

A♭ = G♯
A♭5 - Hoge snaren
A♭5 - Lage snaren
A♭/C
A♭/C
A♭/C

A

Noten A major: A, C#, E

A-majeur op gitaar zonder barré. Noten A-majeur: A, C#, E. Gespeelde noten: X, A, E, A, C#, E
Gitaar: A-majeur: E-vorm met barré op 5
Gitaar: A-majeur met E-vorm en twee extra open snaren
A-major on piano
A-major on ukulele
A-majeur op mandoline
A-majeur op mandoline
A-majeur op mandoline

A/C#

A/C# - The last string is often dropped

A/D

Guitar: A/D

A/E

A-over-E.png

Asus2

Asus2: REM - Try not to Breathe

Asus4

Notes:

  • A major: A, C#, E
  • Asus4: A, D, E - The perfect third becomes a fourth
Asus4 on gitar. Notes: A, D, E. Played notes: X, A, E, A, D, E
Asus4 on mandoline
   ----------------
E O|
A O|
D O|
G O|-G#-|-A--|
   ----------------
   |  1 |  2 |  3 |

Aadd9add13/E

Aadd9add13/E - Gitaar - A over E, met toegevoegde none en toegevoegde tredecime - Octaaf-overstijgend akkoord?

A5

A5 Guitar - Fret 5
A5 - Ukulele

A6sus2

A6sus2 - Gitaar (1)
A6sus2 - Gitaar (2)
A6sus2 - Gitaar (3)
A6sus2 - Gitaar (4)
A6sus2 - Gitaar (5)
A6sus2 - Gitaar (6)

A7

A7
A7
A7
A7
A7-over-Ckruis.png
A major 7. What is the difference between A7 and A major 7? [1]

A7sus4

A7sus4 (1)
A7sus4 (2)
A7sus4 (3) - Pink Floyd - Wish you were Here

A9

Guitar: A9 (1)
Guitar: A9 (2): E-vorm met barré op 5. Pearl Jam - Black
Guitar: A9 (3)
Guitar: A9 (4)
Guitar: A9 (5)
Guitar: A9 (6)

Am

Am - Gitaar
Am - Piano
Am - Ukulele
Am - Mandolin
Am - Mandolin
Am - Mandolin

Am/G

Am/G - Guitar

Am6

Am6

Am7

Am7 (A-mineur 7): 4 Non Blondes - Drifting
Am7

Am9

Am9
Am9

A♯

A♯ - Gitaar
A♯ - Gitaar
A# - Ukulele
A♯7 - Piano

A♯7

A♯7 - Gitaar

A♯/C

A♯/C - Gitaar
A♯/C - Gitaar

A♯7sus4

A♯7sus4 - Gitaar
A♯7sus4 - Gitaar
A♯7sus4 - Gitaar

A♯7/D

A♯7/D - Gitaar
A♯7/D - Gitaar

B♭

B♭=A♯: Stef Bos - Wodka, Triggerfinger - I Follow Rivers
B♭=A♯: Vaak gemakkelijker: Een doorgeschoven F

B♭5

Open B♭5 at Fret 3: U2 - One Tree Hill

B♭7

B♭7
B♭7

B♭9

Bb9

B♭m

B♭m
B♭m
B♭m
B♭m

B

B at Fret 2: The Kinks - Lola
B

B5

B5
B5
B5 (lowest strings): REM - Low
B5
B5

B7

B7
B7
B7
B7
B7 - piano
B7sus4

BMaj7

BMaj7
BMaj7
BMaj7

Bm

Bm - Am-vorm
Bm - F-vorm
Bm - Piano
Bm - Ukulele
Bm/A - Gitaar

Bm7

Bm7 - Gitaar - Am7-vorm
Bm7 - Gitaar - Meest gebruikelijke variant?
Bm7 - Gitaar
Bm7 - Gitaar- Em7-vorm

Bm7♭5

Bm7♭5 (1)
Bm7♭5 (2)
Bm7♭5 (3)
Bm7♭5 (4)

C

Noten: C, E, G

C-majeurakkoord op gitaar, "C-shape"
C-majeurakkoord op gitaar, "C-shape" - Foto
C-major chord on guitar: E-shape with bar on 8
C-major chord on guitar: A-shape with bar on 3
C major chord on piano
C-major chord on mandolin (1). Notes per string: G, E, C & E. The last string is optional
C-major chord on mandolin (2)
C-major chord on Ukulele
C-major chord on Ukulele (2)
C-major chord on Ukulele (3)
Cadd9 chord on guitar
Csus4 chord on guitar: Alt-J - Taro
Csus4 chord on guitar

C5

A C5 chord, or power chord consists of only the root and a fifth (reine kwint), which is 7 half-steps above the root: C & G

C5 - guitar
C5 - Guitar - Starting at the low E-string
C5 - Guitar - Starting at the A-string
C5 - Piano

C5/G

Gitaar: C5/G
Gitaar: C5/G
Gitaar: C5/G
Gitaar: C5/G
Gitaar: C5/G
Gitaar: C5/G

C7

C7 (1)
C7 (2)

C7#9

C7#9
C7#9
C7#9
C7#9
C7#9
C7#9

C9

C9 or C dominant 9 is a C major chord with a dominant ninth, which implies it has at least four notes

C9

Sources

C(maj7)

C(maj7), CM7, C Major seventh oftewel C majeur-septiem-akkoord is een C-majeur akkoord met een groot septiem.

Noten: C, E, G, B:

  • C: Basis
  • E: Grote terts (dit maakt het een majeur-akkoord)
  • G: Reine kwint
  • B: Groot septiem: Van C naar B is een interval van 11 semitonen (Intervallen#Overzicht)
Cmaj7: 4 Non Blondes - Drifting, Melanie Safka - Beautiful People, REM - Country Feedback, REM - Low
Cmaj7 - Ukulele
Cmaj7 - Piano

Cm

Noten: 

C-majeur   C-mineur
--------   --------
   C           C
   E           D#
   G           G
Cm - Guitaar: Alt-J - Taro
Cm - Piano
Cm - Mandoline: Zelfde vorm als C-majeur, maar met verlaagde D-snaar en zonder E-snaar (want die zou ook verlaagd moeten worden)

Cm6

Cm6
Cm6

Cm7

Cm7
Cm7 - Moeilijker

C/B

C/B
C/B

C/G

C/G

C♯

C♯ - Doorgeschoven C met een barré die drie snaren afdekt
C♯ - Doorgeschoven A
C♯ - Doorgeschoven F

C♯5

C♯5 (guitaar) - A-vorm met barré op 4
C♯5 (guitaar) - Powercord (slechts twee noten)
C♯5 (guitaar) - F-vorm met barré op 9
C♯5 (guitaar)
C♯5 (guitaar)

C♯7

C♯7 (1)
C♯7 (2)

C♯m

C♯m - Gitaar: Am-shape (fret 4)
C♯m - Gitaar: Fm-shape (fret 9)
C♯m - Piano

C♯m7

C♯m7
C♯m7

C♯m/A

C#m/A
C#m/A

D♭

D♭
D♭
D♭

D

Noten: 

    D-majeur           D-mineur
-----------------   ----------------
* Basis:       D    Basis:        D
* Grote terts: F#   Kleine terts: F
* Reine kwint: A   Reine kwint:   A
D - Gitaar
D - Gitaar: Hoe je 'm vasthoudt
D - Piano
D - Ukulele
D - Mandoline. Noten per snaar: A, D, A, F#. De eerste snaar is optioneel
D - Mandoline. Noten per snaar: D, A, F#. De eerste snaar is weggelaten

Ukelele 


A O |
E   |-F--|-F#-|
C   |-C#-|-D--|
G X |
    |  1 |  2 | *3 |  4 | *5 |  6 | *7 |  8 | *9 | 10 | 11 |*12*| 13 | 14 |

Dsus2

Dsus2. Basistoon: D. Grote terts: F#. Kleine terts vanaf daar: A Gespeelde noten:D, A, D, E
Dsus2

Dsus4

Dsus4

D5

D5 at Fret 5
D5 at Fret 7

D6

D6

D7

D7-akkoord: Basistoon: D. Grote terts: F#. Kleine terts: vanaf daar: A. Gespeelde noten: D, A, B#, F#. Hiervan hoort B# niet in de D-majeurtoonladder

D9

D9

Dadd9

Dadd9

Dadd9/F#

Dadd9/F# - Gitaar (1)
Dadd9/F# - Gitaar (2)
Dadd9/F# - Gitaar (3)
Dadd9/F# - Gitaar (4)

Dm

Noten: 

    D-majeur           D-mineur
-----------------   ----------------
* Basis:       D    Basis:        D
* Grote terts: F#   Kleine terts: F
* Reine kwint: A    Reine kwint:  A
Dm - Gitaar
Dm - Gitaar: Verschoven Am-shape
Dm - Piano
Dm - Ukulele
Dm - Mandoline: De noten van het akkoord zijn D, F, A en de noten per snaar hier: x, D, A, F
Dm - Mandoline: De eerste snaar is overbodig (extra A)

Dm7

Guitar: Dm7
Ukulele: Dm7

Dm7b5

Dm7b5 - Gitaar

D/B

D/B on Guitar: D-shape with additional B (1)
D/B on Guitar: D-shape with additional B (2)


D/C#

D/C# on Guitar: D-shape with additional C#
D/C# on Guitar: A-shape with additional C#

D/F♯

D/F♯: D chord with a F♯ bass line. De bass line can be done with the thumb [2] or pointing finger [3]. 4 Non Blondes - Drifting
D/F♯ - Piano
Dsus4/F♯

D♯

D♯ - Gitaar: D-vorm 1 fret doorgeschoven
D♯ - Gitaar: C-vorm 3 frets doorgeschoven
D♯ - Gitaar: A-vorm 6 frets doorgeschoven
D♯ -Gitaar: E-vorm 11 frets doorgeschoven
D♯
D♯

D♯/G

D♯/G - Gitaar
D♯/G - Gitaar
D♯/G - Gitaar

D♯5

D♯5 - Gitaar

D♯7

D♯7
D♯7
D♯7 - Doorgeschoven A7

D♯m

D♯m - Doorgeschoven Am
D♯m - Als met een barré, die toevallig maar één fret hoeft af te dekken
D♯m - Doorgeschoven Fm
D♯m - Doorgeschoven Cm

D♯m7

D♯m7 - Gitaar - Am7-vorm
D♯m7 - Gitaar

E♭

E♭ = D♯
E♭ = D♯: Triggerfinger - I Follow Rivers
E♭ = D♯
E♭m7

E

Noten: 

    E-majeur           E-mineur
-----------------   ----------------
* Basis:       E    Basis:        E
* Grote terts: G#   Kleine terts: G
* Reine kwint: B    Reine kwint:  B
E-majeur-akkoord (1) - gitaar. Noten E-majeur: E, G#, B. Gespeelde noten: E, B, E, G#, B, E
E-majeur-akkoord (2) - gitaar
E-majeur-akkoord (3) - gitaar
E-majeur-akkoord (4) - gitaar - A-vorm met barré op 7
E-majeur-akkoord (5) - gitaar
E-majeur-akkoord (6) - gitaar
E-majeur-akkoord - Piano
E-majeur-akkoord - Ukulele
E-majeur-akkoord - Mandoline (1)
E-majeur-akkoord - Mandoline (2)


E-majeur op mandoline
   ----------------
E  |
A  |-A#-|-B--|
D  |-D#-|-E--|
G  |-G#-|
   ----------------
   |  1 |  2 |  3 |

Edim7

E diminished 7

E(maj7)

Emaj7, E-major7, E(maj7) of E groot septiem, is een E majeur-akkoord met een majeur-septiem. Noten: E, G#, B, D#:

  • E: Basis
  • G#: Grote terts - Dit maakt het een majeurakkoord
  • B: Reine kwint
  • D#: Groot sepiem - 11 seminoten.
Emaj7
Emaj7
Emaj7/B
Emaj7 - Piano

E5

E5 - Guitar - Only two strings
E5 - Guitar - Three strings
E5 - Piano

E7

E7
E7
E7
E7
E7/G# - Gitaar

E9

E9

E/B

E-over-B.png

E/F♯

E/F♯

E/G♯

E/G♯
E/G♯

Em

Em - Gitaar
Em - Gitaar: Hoe je 'm vasthoudt
Em - Piano
Em - Ukulele
Em - Mandoline

Em6

Em6

Em9

Em9 - Gitaar (1)
Em9 - Gitaar (2)
Em9 - Gitaar (3)
Em9 - Gitaar (4)
Em9 - Gitaar (5)
Em9 - Gitaar (6)

Em/G

Em/G
Em/G
Em/G
Em/G

Esus2

Guitar: Esus2 (1)
Guitar: Esus2 (2) - A-shape with bar at 7
Guitar: Esus2 (3)
Guitar: Esus2 (4)
Guitar: Esus2 (5)
Guitar: Esus2 (6)

Esus4

Esus4-01.png
Esus4-02.png

F

An F major chord consists of the following notes:

  • Root: F
  • Major third from the root (grote terts - tercja wielka): A
  • Perfect fifth from the root (reine kwint - czysty kwinta): C
  • -----
  • F, A, C

As an example, these are the notes in the usual way that an F-chord is played on the guitar:

  • E-string: F
  • A-string: C
  • D-string: F
  • G-string: A
  • B-string: C
  • e-string: F

F major chord without bar?

Let's find an F major chord without bar, starting with the notes as they are in the default F-chord:

  • The C- and F-notes are played on multiple strings, which provides us with some flexilibity to how to play it. The A-note is played on only the G-string. Let's use that as our first note
  • Let's use the E- or e-string to form the F → Let's use the e-string (high sounding e, not the low-sounding)
  • Let's use the B-string to form the C

In total: 


e |-F--|----|----|----|----|----|----|----|----|----|----|----|----|----|
B |-C--|----|----|----|----|----|----|----|----|----|----|----|----|----|
G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----|
DX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
AX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
  |  1 |  2 | *3 |  4 | *5 |  6 | *7 |  8 | *9 | 10 | 11 |*12*| 13 | 14 |

Alternatively (this one is a bit harder, as you have to avoid ringing strings on either side of the string that you have to touch): 


eX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
BX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----|
D |----|----|-F--|----|----|----|----|----|----|----|----|----|----|----|
A |----|----|-C--|----|----|----|----|----|----|----|----|----|----|----|
EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
  |  1 |  2 | *3 |  4 | *5 |  6 | *7 |  8 | *9 | 10 | 11 |*12*| 13 | 14 |

And lastly, the usual way to play F without having to use a bar. In this case, the pointer finger is used as a small bar on the B- and e-string: 


e||-F--|----|----|----|----|----|----|----|----|----|----|----|----|----|
B||-C--|----|----|----|----|----|----|----|----|----|----|----|----|----|
G |----|-A--|----|----|----|----|----|----|----|----|----|----|----|----|
D |----|----|-F--|----|----|----|----|----|----|----|----|----|----|----|
A |----|----|-C--|----|----|----|----|----|----|----|----|----|----|----|
EX|----|----|----|----|----|----|----|----|----|----|----|----|----|----|
  |  1 |  2 | *3 |  4 | *5 |  6 | *7 |  8 | *9 | 10 | 11 |*12*| 13 | 14 |
F - Guitar: This is the usual way to play F, with a barred first fret
F - Ukulele
F - Mandoline

Fsus2

F suspended 2

F/C

F/C: U2 - One Tree Hill

F/G

F/G: REM - Perfect Circle

F5

Guitar - F5 - Open strings
Guitar - F5 - Fret 3
Guitar - F5 - Fret 6
Guitar - F5 - Fret 8
Guitar - F5 - Fret 10
Guitar - F5 - Fret 13

F6

F6: De tweede en derde noot zijn beiden drie halve noten verlaagd:

F6
F6
F6
F6
F6
F6

F7

F7: De derde noot is twee halve tonen verlaagd.

F7
F7
F7
F7
F7
F7

Fsus4

Fsus4 - Gitaar
Fsus4 - Gitaar

F(maj7)

Fmaj7, F-majeur7, F(maj7), F major-seventh or F groot septiem is een F majeur-akkoord met een groot septiem. Noten: F, A, C, E:

  • F: Basis
  • A: Grote terts - Dit maakt het een majeur-akkoord
  • C: Reine kwint
  • E: Groot septiem - 11 seminoten.
Fmaj7 - Gitaar - F-majeur 7
Fmaj7 - Gitaar - F-majeur 7
Fmaj7 - Gitaar - F-majeur 7
Fmaj7 - Piano

F(maj7)♭5

F(maj7)♭5, FM7♭5 of Fmaj7b5 bestaat uit de volgende onderdelen:

  • F-koord (gewone F-majeur)
  • Groot septiem - major seventh
  • ♭5 - Wat is dat ook al weer? Kleine kwint?
F(maj7)♭5 - Gitaar

F(min7)

F(min7), Fm7 (verwarrend!) of Fmin7:

F(min7) - Gitaar

Fm9

Fm9
Fm9

F♯

F♯
F♯/D

F♯5

F♯5 (gitaar): E-vorm met barré op 2
F♯5 (gitaar): A-vorm met barré op 8

F♯m

F♯m[4] Jacques Brel - Port d'Amsterdam
F♯m - Piano

F♯m7

F♯m7 - Meest gebruikelijke versie [5] Jacques Brel - Port d'Amsterdam
F♯m7 - Ik denk dat ik deze gemakkelijker vind [6]
F♯m7♭5

F♯m11

F♯m11 - Gitaar (1)
F♯m11 - Gitaar (2)
F♯m11 - Gitaar (3)
F♯m11 - Gitaar (4)
F♯m11 - Gitaar (5)
F♯m11 - Gitaar (6)

F♯sus4

F♯sus4 (1) - Gitaar
F♯sus4 (2) - Gitaar
F♯sus4 (3) - Gitaar

G

Noten: G, B, D.

G-majeur - Gitaar (1)
G-majeur - Gitaar (2)
G-majeur (3): Dit is een iets exotischer variant (zo exotisch, dat ik de afbeelding zelf heb gemaakt): Gebruik je wijsvinger voor de lage E-snaar. Demp daarbij de A-snaar
G-majeur - Gitaar (4): F-shape, shifted over two frets
G-majeur - Gitaar (5)
G-majeur - Gitaar (6)
G-majeur - Gitaar (7)
G-majeur - Mandoline
G-majeur - Ukulele
G-majeur - Piano

Gsus2

Gsus2 op gitaar (1)
Gsus2 op gitaar (2)

Gsus4

Gsus4
Gsus4
Gsus4
Gsus4
Gsus4
Gsus4

G5

G5
G5 (3-5-5)
G5
G5/E
G5/F#

G6

G6: REM - Bang and Blame
G6 op piano: G-B-D-E. De kwint en de sext zitten altijd vlak bij elkaar

G7

G7 - Gitaar
G7 - Ukulele
G7 - Mandoline

G7sus4

G7sus4 - Gitaar
G7sus4 - Gitaar
G7sus4 - Gitaar

GM7

Dit is een 'gewone G', maar met een groot septiem (?) - major seventh

GM7 (Gmaj7)

Gmadd11

Dit is een 'gewone G', maar met een kleine undecime (minor eleventh)

Gmadd11 - Gitaar
Gmadd11 - Gitaar
Gmadd11 - Gitaar

G/B

G/B (1)
G/B (2)
G/B (3)
G/B (4)
G/B (5)
G/B (6)

G/D

G-over-D.png

G/F#

G/F♯

Gm

Gm: Alt-J - Taro
Gm - Ukulele
Gm7

G♯

G♯: Jimmy Hendrix - All Along the Watchtower
G♯m: The Kinks - Lola

G♯5

G♯5 - Guitar
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